ALEXANDER (SANDOR) LÁSZLÓ (NOVEMBER 22, 1895 BUDAPEST (HUNGARY) – NOVEMBER 17, 1970 LOS ANGELES, CALIFORNIA)
He was born Sandor (“San”) Totis, but used the professional name of Alexander Laszlo as a composer and music publisher. After training at the Franz Liszt Academy of Music, Laszlo studied piano with Szendy and composition with Herzfeld and started as a pianist at the Blüthner Orchestra in Berlin in 1915. As pianist Sandor Laszlo, in Freiburg, about 1920, he recorded 31 reproducing piano rolls for Welte Mignon, of the piano music of mostly 19th Century Classical composers. He gave piano recitals in Germany and Europe in the 1920s, and was a music director and professor of film music in Berlin. According to the studies of the psychologist Georg Anschütz, the mentor of the synaesthesia research of this time, Laszlo developed an apparatus for the combination of colored light, slides, moving amorphous and geometrical forms. The first demonstration of it took place under the name “Sonchromatoskop” in 1924. Although this sonicism was developed by music, it should neither serve the intensification of the musical life, nor should individual keys be illustrated by clearly related colors. Rather, it was a new art genre in which abstract images and sound do not behave supplementarily, but enter into an original and inviolable unity. Laszlo built a professional Sonchromatoskop and it was controlled by the pianist. In 1925 Laszlo wrote a text called Color-Light-Music, and toured Europe with a color organ. Smith & Howe refer to him constructing a ‘Fablichtklavier’ (Color pianoforte) and publishing a book, ‘Fablichtmusic’, in 1925 which describes the genre. He also participated in many Jewish lead charities. In 1938 he came to the United States, starting in Chicago as music professor at the IIT Institute of Design. In the 1940s he was music director at NBC Radio. He established a publishing company to collect ASCAP royalties under the name “Alexander Publications.” He also wrote music for several Hollywood movies.
TRACKLIST
3325 TCHAIKOVSKY – Symphony No. 5, Op. 64, e 2nd mvt.
3333 LISZT – Piano Concerto No. 1, Eb 1st mvt.
3334 LISZT – Piano Concerto No. 1, Eb 2nd, 3rd, 4th mvts.
3335 WELTE-MIGNON WAGNER – Overture to the Opera “Rienzi”
3342 Lászlò – Liebeswalzer
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