Mar 3, 2016

Marguerite Namara (Soprano) ( Cleveland, Ohio November 19, 1888 - Marbella, Spain November 5, 1974)




Her real name was Margret Banks. First she studied singing under her mother, then at the Milan Conservatory. In 1908 she made her debut at the Teatro Politeama of Genova as Marguerite in ‘’Faust’’ of C. Gounod. In 1910 she sang in operettas in France, then trained under Jean de Reszke in Paris. As assistant artist she traveled together with Enrico Caruso, Pasquale Amato and Friedrich Kreisler during their tours by all over the world. Temporarily she accompanied famous dancer Isadora Duncan during her tours. She came back again to North America and became here a popular operetta soprano. In 1918 she was engaged by the Chicago Civil Opera, where she appeared till 1922, among other things as Micaela in ‘’Carmen’’, Olga in ‘’Fedora’’, Thaïs and Mimi in ‘’La Bohème’’. She made guest appearances at the Opera of New Orleans. In the 1923-1925 seasons she sang at the Opéra-Comique in Paris the parts of Mimi, Tosca, Thaïs and Violetta. With Manuel de Falla she studied Spanish, with Albert Wolff the French repertoire. In 1927 she was to be heard in America once more as an operetta diva and now came out also as an actress. Also she was active in sound films (‘’Stolen moments’’ with Rudolph Valentino, ‘’Peter Ibbetson’’ with Gary Cooper). In the 1940-1943 seasons she sang operettas at the New York Broadway; in 1944 she appeared in recital at the New Yorker Carnegie Hall by. As a painter she took part several times in exhibitions in America.

Chronology of some appearances

1908 Genova Teatro Politeama Faust (Marguerite)
1918-1922 Chicago Civil Opera
1923-1925 Paris Opéra-Comique

RECORDINGS FOR SALE










Private recording
Gismonda (Fevrier): Toute blanche 
 

Mar 1, 2016

Hedwig [Hedi] Francillo-Kaufmann (Soprano) (Vienna: 20 [30] Sep 1878 - Rio de Janeiro: 5 Apr 1948)




She was trained by Franzi Müller and Emilie Dorr in Vienna, then by Aglaja von Orgeni in Dresden and maestro Rosario in Milan. She made her debut in 1898 at the Stadttheater in Stettin. In the 1899-1902 seasons at the Hoftheater in Wiesbaden, then in the 1902-1903 season she sang at the Hofoper of Munich. In the 1903-1905 seasons she appeared at the Berlin Hofoper. In the 1905-1907 seasons she had a huge success at the Komische Oper in Berlin. In the 1907-08 season she was engaged by the Hofoper in Berlin; she joined in 1908 to the Hofoper in Wien, where she was active till 1912. In the 1912-1917 seasons she worked at  the Opernhaus of Hamburg. Since 1917 she made guest appearances performances in Vienna, Berlin, Brussels, Paris, London and Munich and South America. In 1927 she retired from the stage and lived in Berlin, then in Vienna. After the Second World War she married the Brazilian consul and led the family name de Sanza Gunnaraez. 

Chronology of some appearances

1898 Stettin Stadttheater
1899-1902  Wiesbaden Hoftheater
1902-1903 Munich Hofoper
1903-1905 Berlin Hofoper
1905-1907 Berlin Komische Oper
1907-1908 Berlin Hofoper
1908-1912 Wien Hofoper
1912-1917 Hamburg Opernhaus

RECORDINGS FOR SALE 









Black G&T, Wien 1908-09/10
Rigoletto (Verdi): Teurer Name 2-43176 13810u
Lakmé (Delibes): Glöckchenarie 2-43177 13821u
Parla! Valzer (Arditi) 53555 13812u
Barbiere di Siviglia (Rossini): Frag' ich mein, pt 1 2-43211 13824u
Huguenots (Meyerbeer): O glücklich Land 2-43210 13811u
Fille du Régiment (Donizetti): Ach, unsonst denkt ihr 2-43195 13807u
Manon (Massenet): Nützet die schönen Jugendtage (Gavotte) 2-43196 13822u


Luisa Fons (Soprano) (Alicante 8. 3. 1867 - Barcelona 17. 2. 1925)




She studied singing in Madrid under the pedagogue Jose Inzenga and made her debut in 1881 at the Opera House in Alicante. Then she perfected her vocal  technique at the Conservatorio Real in Madrid and made her professional debut in 1883 at the Teatro Real in Madrid as Rosina in G. Rossini’s ‘’Il Barbiere di Sivilgia’’.

Chronology of some appearances

1884 Madrid Reale Barbiere di Siviglia (Rosina)
1885 Valencia Principal Barbiere di Siviglia (Rosina)
1885 Alicante Principal Sonnambula (Amina)
1886 La Corugna Rosalia Barbiere di Siviglia (Rosina)
1886 La Corugna  Rosalia Sonnambula (Amina)
1886 La Corugna  Rosalia Ugonotti (Margherita)
1886 Madrid Alhambra Rigoletto (Gilda)
1886 Majorca Principal Rigoletto (Gilda)
1886 Madrid Alhambra Ugonotti (Margherita)
1886 Bilbao Gayarre Ugonotti (Margherita)
1887 Palma di Majorca  Principal Sonnambula (Amina)
1887 Oporto S. Joao Barbiere di Siviglia (Rosina)
1888 Oporto  S.Joao Ugonotti (Margherita)
1888 Pontevedra Municipal  Africana (Ines)
1888 Vigo Municipal  Africana (Ines)
1888 Saragozza Principal  Africana (Ines)
1888 Saragozza Principal  Rigoletto (Gilda)
1888 Saragozza Principal  Sonnambula (Amina)
1888 Oviedo Circo De Santa Susana Ballo in maschera (Oscar)
1888 Oviedo Circo de Santa Susana Barbiere di Siviglia (Rosina)
1888 Cadice Eslava Puritani (Elvira)
1888 Cadice Eslava Rigoletto (Gilda)     
1888 Badajoz  Lopez Ayala Rigoletto (Gilda)      
1889 Barcellona  Novedades Barbiere di Siviglia (Rosina)
1889 Barcellona  Tivoli Puritani (Elvira)
1889 Barcellona  Tivoli Rigoletto (Gilda)             
1889 Siviglia San Ferdinando Rigoletto (Gilda)  
1889 Madeira Maria Pia Rigoletto (Gilda)     
1889 Fuchal / Madeira  Maria Pia  Sonnambula (Amina)
1890 Barcellona Gayarre Ballo in maschera (Oscar)
1890 Girona Principal Barbiere di Siviglia (Rosina)
1892 Odessa Municipale  Africana (Ines)
1892 Città del Messico Arbeu Sonnambula (Amina)
1893 Recife Santa Isabella Barbiere di Siviglia (Rosina)
1894 Recife Santa Isabella Puritani (Elvira)
1896 Madrid Reale Pagliacci (Nedda)
1896 Oviedo Campoamor  Pagliacci (Nedda)
1897 Lisbona San Carlos Pagliacci (Nedda)

RECORDING FOR SALE 









Beka, 1909
La reina mora (Serrano): Duo with unknown tenor 10332


Menotti Frascona (Tenor) (Palermo, Italia 15 Oct 1879 - Los Angeles 20 Mar 1966)




He started his career as baritone (probably in USA, not in Italy), but in the early 1920's Frascona switched from baritone to tenor and appeared in Havana, Guadalajara etc.

Chronology of some appearances

1902 Scranton Lyceum Cavalleria Rusticana (Alfio)
1911 Brooklyn, New York Academy of Music  Cavalleria Rusticana (Alfio)

 RECORDINGS FOR SALE









Emerson, USA 1920?
Gioconda (Ponchielli): Cielo e mar 02034-XP 
4512-1
Tosca (Puccini): E lucevan le stelle 02034-XP 4513-1


Linda Monti Brunner (Mezzo-Soprano) (Fermo, Italia 29. 8. 1862 - Milano, Italia 10. 2. 1926)


                       As Carmen (Performance at St. Petersburg Akvarium Theatre 1902)



Chronology of some appearances


1903 Rostov Russian Theatre Linda di Chamonix (Pierotto) with Maria Galvany (Linda), Amedeo Bassi (Carlo) and Mattia Battistini (Antonio)
1903 Rostov Russian Theatre Gioconda (Laura) with Amedeo Bassi (Enzo), Ester Adaberto (Gioconda) and Mattia Battistini (Barnaba)
1907 Parma Politeama Reinach Trovatore (Azucena) with Francisco Granados (Manrico),  Silvia Vecchione (Leonora) and Gaetano Azzolini (conte di Luna)
1907 Parma Politeama Reinach Trovatore (Azucena) withGiovanni Tegonini (Manrico),  Anna De Revers (Leonora) and Oreste Mieli (conte di Luna)
1908 Mexico City Teatro Virginia Fábregas Aida (Amneris) with Nicola Zerola (Radames) and Vincenzo Arditi (Amonasro)
1909 Le Havre Teatro dell'Opera Cavalleria Rusticana (Lola) with Emanuele Huarte (Turiddu), Ignazio Pompa (Alfio) and Maria Alexina (Santuzza)
1916 Paris Opera-Comique Barbiere di Siviglia (Berta) with Riccardo Stracciari (Figaro), Francesco Dominici (Almaviva), Gaetano Azzolini (Bartolo) and Vanni Marcoux (Don Basilio)
1916 Opéra de Lyon Barbiere di Siviglia (Berta) with with Riccardo Stracciari (Figaro), Francesco Dominici (Almaviva), Gaetano Azzolini (Bartolo) and Vanni Marcoux (Don Basilio)

RECORDING FOR SALE









Pathé, Milano 1912?
Rigoletto (Verdi): Quartetto with Venerandi, Montesanto & Billi 84155