Forgotten Opera Singers

Forgotten Opera Singers

Feb 21, 2025

ITALIAN TENOR VITTORIO SALBEGO CDR

 




VITTORIO SALBEGO

 

 

 

He likely made his debut in 1905 at the Teatro Rossini, performing the role of Contino in Federico Ricci’s Crispino e la Comare. Over the course of his career, he also performed internationally, with notable appearances in Buenos Aires and Alessandria. He retired from the stage in 1930.

 

Chronology of some appearances

 

1905 Venezia Teatro Rossini Crispino e la Comare (Contino)

1907 Novara Teatro Coccia Falstaff (Fenton)

1909 Mantova Teatro Sociale Madama Butterfly (Pinkerton)

1911 Cagliari Teatro Civico Madama Butterfly (Pinkerton)

1913 Fano Teatro Della Fortuna Madama Butterfly (Pinkerton)

1915 Torino Teatro Regio Madame Sans-Gene (Neipperg)

1917 Firenze Teatro Della Pergola Cavalleria Rusticana (Turiddu)

1919 Forlì Politeama Boheme (Rodolfo)

1921 Pistoia Teatro Manzoni   Lodoletta (Flammen)

1923 Bologna Chiesa di S. Giacomo Maggiore Concerto Sacro

1925 Genova Teatro Carlo Felice Boris Godunov (Dimitri)

1930 Torino Teatro Regio Elektra (Egisto)

 

TRACKLIST

 

 

Don Pasquale (Donizetti) Cercherò lontana terra 1-35136 Favorite, Verona 1907-09
Elisir d’amore (Donizetti) Una furtiva lagrima 1-25125 Favorite, Verona 1907-09
Fra Diavolo (Auber) Pace sempre 1-35124 Favorite, Verona 1907-09
Rigoletto (Verdi) Questa o quella 1-35112 Favorite, Verona 1907-09
Traviata (Verdi) Concertato, act 3 (w. Marcolini & Barbarani) 2-39006 Favorite, Verona 1907-09
Traviata (Verdi) Un dì felice eterea (w. Barbarani) 2-39002 Favorite, Verona 1907-09


ITALIAN TENOR VITTORIO SALBEGO CDR

ITALIAN TENOR GIOVANNI CESARANI 1899-1901 RECORDINGS VOL. 1 CDR

 



GIOVANNI CESARANI


 



He was born around 1860 and was one of the first singers hired to Record operatic music. He recorded for Berliner in 1896 and later for Gramophone.


Chronology of some appearances


1899  Bologna Teatro Duse Cavalleria Rusticana (Turiddu)

1900  Novara  Teatro Coccia Pagliacci (Canio)

1900  Empoli Teatro Salvini Carmen (Don Jose)

1900  Roma  Teatro Adriano Pagliacci (Canio)

1900 Ferrara  Teatro Bonacossa Jone di E. Petrella (Glauco)

1903  Milano  Teatro Dal Verme Ernani (Ernani)

1904 Padova  Teatro della Rotonda Norma (Pollione)

1911 Suzzara  Teatro Sociale Ernani (Ernani)

1912 Torino Teatro Balbo Norma (Pollione)


TRACKLIST


 

Aida (Verdi) Morir si pura e bella 52582 2917 Berliner, Milano 1899-07

Aida (Verdi) Pur ti riveggo (solo, but labelled w. Galan!) 54108 2915 Berliner, Milano 1899-07

Bohème (Puccini) Che gelida manina 52590 2881 Berliner, Milano 1899-07

Boheme (Puccini) O Mimi tu piu non torni (w. Corradetti) 54000  325b G&T, Milano 1901-07

Carmen (Bizet) Il fior 52565 2838 Berliner, Milano 1899-07

Cavalleria Rusticana (Mascagni) La tua Santuzza (w. Adami) 54116 2868 Berliner, Milano 1899-07

Ernani (Verdi) O sommo Carlo (w. Adami, Corradetti & chorus) 54512 3284a G&T, Milano 1901-07

Favorita (Donizetti) Cara luce soave (w. Franchi) 54106 2880 Berliner, Milano 1899-07

Favorita (Donizetti) Fia vero lasciarti (w. Galan) 54110 2892 Berliner, Milano 1899-07

Favorita (Donizetti) Sprito gentil 52568 859  Berliner, Milano 1899-07

Favorita (Donizetti) Una vergine 52589 2851 Berliner, Milano 1899-07

Favorita (Donizetti) Vieni, vieni with Ramona Galan  54112 2893  Berliner, Milano 1899-07

Fedora (Giordano) Amor ti vieta 52584 2885 Berliner, Milano 1899-07

Forza del destino (Verdi) O tu che in seno 52586 2882 Berliner, Milano 1899-07

Forza del destino (Verdi) Una suora mi lasciate (w. Corradetti) 54102 2858 Berliner, Milano 1899-07


ITALIAN TENOR GIOVANNI CESARANI 1899-1901 RECORDINGS VOL. 1 CDR

ITALIAN TENOR GIOVANNI CESARANI 1899-1901 RECORDINGS VOL. 2 CDR

 



GIOVANNI CESARANI


 



He was born around 1860 and was one of the first singers hired to Record operatic music. He recorded for Berliner in 1896 and later for Gramophone.


Chronology of some appearances


1899  Bologna Teatro Duse Cavalleria Rusticana (Turiddu)

1900  Novara  Teatro Coccia Pagliacci (Canio)

1900  Empoli Teatro Salvini Carmen (Don Jose)

1900  Roma  Teatro Adriano Pagliacci (Canio)

1900 Ferrara  Teatro Bonacossa Jone di E. Petrella (Glauco)

1903  Milano  Teatro Dal Verme Ernani (Ernani)

1904 Padova  Teatro della Rotonda Norma (Pollione)

1911 Suzzara  Teatro Sociale Ernani (Ernani)

1912 Torino Teatro Balbo Norma (Pollione)


TRACKLIST


 

Gioconda (Ponchielli) Cielo e mar 52578 2827 Berliner, Milano 1899-07

Gioconda (Ponchielli) Gia ti veggo 52216 3292a G&T, Milano 1901-07

Guarany (Gomes) Pery m’appella 52566 2835 Berliner, Milano 1899-07

Lucia di Lammermoor (Donizetti) Chi mi frena (w. Corradetti) 54103 2857 Berliner, Milano 1899-07

Lucia di Lammermoor (Donizetti) Maledizione 52217 3294a G&T, Milano 1901-07

Lucia di Lammermoor (Donizetti) Per te d’immenso giubilo 54526 368b G&T, Milano 1901-07

Lucrezia Borgia (Donizetti) Di pescator ignobile 52587 2847 Berliner, Milano 1899-07

Manon Lescaut (Puccini) Tra voi, belle 52585 2883 Berliner, Milano 1899-07

Otello (Verdi) Esultate 52577 2824 Berliner, Milano 1899-07

Pagliacci (Leoncavallo) Un grande spettacolo 52306 338b G&T, Milano 1901-07

Traviata (Verdi) Se una pudica vergine (w. Adami & Corradetti) 54125 2864 Berliner, Milano 1899-07

Trovatore (Verdi) Ai nostri monti (w. Galan) 54127 2896 Berliner, Milano 1899-07

Trovatore (Verdi) Di quella pira 52615 2884 Berliner, Milano 1899-07

Trovatore (Verdi) Miserere (w. Galan) 54113 2932 Berliner, Milano 1899-07

Trovatore (Verdi) Miserere (w. Adami) 54511 3261a Berliner, Milano 1901-07


ITALIAN TENOR GIOVANNI CESARANI 1899-1901 RECORDINGS VOL. 2 CDR

ITALIAN TENOR CARLO CAFFETTO (1869-1909) VOL. 1 CDR

 




CARLO CAFFETTO (VERONA, 1869 – LONDON, 1909)

 

 

 

 

He made his debut at a very young age around 1890 and immediately sang important roles. It’s possible that he was active in England in his last years.

 

Chronology of some appearances

 

24 Feb 1900 Genova, Italy (Carlo Felice) Walkiria

16 Jan 1902 Genova, Italy (Politeama Genovese) Norma

4 mar 1904 Trieste (Teatro Verdi) Samson et Dalila

 

TRACKLIST

 

 

Africaine (Meyerbeer) O Paradiso 52541 710a(510) Berliner, Milano 1900-06-26/28
Aida (Verdi) Se quel guerrier io fossi… Celeste Aida 52362 1644b G&T, Milano 1902-03
Traviata (Verdi) Un dì felice (1900-07-26) 52463 891a Berliner, Milano 1900-07
Aida (Verdi) Nel fiero anelito 52277 4270a Berliner, Milano 1900-06-26
Aida (Verdi) Nel fiero anelito 52340 1651b G&T, Milano 1902-03
Andrea Chenier (Giordano) Un di all’azzurro spazio 52518 762a Berliner, Milano 1900-06-26/28
Ballo in maschera (Verdi) La rivedrò 52486 882a Berliner, Milano 1900-07
Cavalleria Rusticana (Mascagni) O Lola (Siciliana) 52495 918a Berliner, Milano 1900-08
Cavalleria Rusticana (Mascagni) O Lola 52376 1686b G&T, Milano 1902-03
Ernani (Verdi) Mercè diletti amici (1900-07-24) 52462 874a Berliner, Milano 1900-07
11 Faust (Gounod) Tardi si fa (w. Grippa) (1900-08-17) 54084 943a Berliner, Milano 1900-08
Favorita (Donizetti) Spirto gentil 52464x 795a(595) Berliner, Milano 1900-06-26/28
Gioconda (Ponchielli) Cielo e mar 52538 711a Berliner, Milano 1900-08
Gioconda (Ponchielli) Già ti veggo 52515 766a(566) Berliner, Milano 1900-06-26/28
Lohengrin (Wagner) Da voi lontan (1900-06-26) 52540 708a(508) Berliner, Milano 1900-06-26/28
Lohengrin (Wagner) Da voi lontan 37296 Xm646 Odeon, Milano 1905/1906
Lohengrin (Wagner) Merce, merce 52337 1638b G&T, Milano 1902-03
Lucia di lammermoor (Donizetti) Fra poco a me ricovero 52474 871a Berliner, Milano 1900-07
Lucia di Lammermoor (Donizetti) Tu che a Dio (1900-08-01) 52475 917a Berliner, Milano 1900-08

ITALIAN TENOR CARLO CAFFETTO (1869-1909) VOL. 1 CDR

ITALIAN TENOR CARLO CAFFETTO (1869-1909) VOL. 2 CDR

 




CARLO CAFFETTO (VERONA, 1869 – LONDON, 1909)

 

 

 

 

He made his debut at a very young age around 1890 and immediately sang important roles. It’s possible that he was active in England in his last years.

 

Chronology of some appearances

 

24 Feb 1900 Genova, Italy (Carlo Felice) Walkiria

16 Jan 1902 Genova, Italy (Politeama Genovese) Norma

4 mar 1904 Trieste (Teatro Verdi) Samson et Dalila

 

TRACKLIST

 

 

Lucrezia Borgia (Donizetti) Di pescator ignobile 52472 877a Berliner, Milano 1900-07
Manon Lescaut (Puccini) Ah, Manon sempre la stessa 52485 881a Berliner, Milano 1900-07
Manon Lescaut (Puccini) Tra voi belle 52512 879a Berliner, Milano 1900-07
Mefistofele (Boito) Giunto sul passo estremo 52493 859a Berliner, Milano 1900-07
Norma (Bellini) Ah troppo tardi 52269 4304a G&T, Milano 1902-03
Norma (Bellini) Mecco all’altar… Me protegge G&T 52365 1685b, 52268 4305a G&T, Milano 1902-03
Otello (Verdi) Esultate & Ora e per sempre addio 52484 876a Berliner, Milano 1900-07
Otello (Verdi) Esultate!… Ora e per sempre addio 52338 1639b G&T, Milano 1902-03
Pagliacci (Leoncavallo) Vesti la giubba 52558 2763 Berliner, Milano 1899-07
Rigoletto (Verdi) Bella figlia dell’amore (1900-07-23) 52488 862a Berliner, Milano 1900-07
Rigoletto (Verdi) La donna è mobile 52491 863a Berliner, Milano 1900-07
Tosca (Puccini) E lucevan le stelle 52266 4272a G&T, Milano 1902-03
Trovatore (Verdi) Di quella pira 52494 855a Berliner, Milano 1900-07
Walküre (Wagner) Canto di primavera 37192 Xm461 Odeon, Milano 1905/1906
Walküre (Wagner) Tal mio nono 37193 Xm462 Odeon, Milano 19051906
Aida (Verdi) Se quel guerrier io fossi 52542 709a(509) Berliner, Milano 1900-06-26/28
Cavalleria Rusticana (Mascagni) Addio alla madre 52517 764a(564) Berliner, Milano 1900-06-26/28
Norma (Bellini) Ah troppo tardi 52359 1684b G&T, Milano 1902-03
Norma (Bellini) Me protegge e me difende 52268 4305a G&T, Milano 1902

ITALIAN TENOR CARLO CAFFETTO (1869-1909) VOL. 2 CDR

ITALIAN TENOR CARLO ALBANI ODEON FONOTIPIA AND ODEON RECORDINGS VOL. 1 CDR

 


CARLO ALBANI (TRIESTE, 1872 – ROME, 1924)

 

 

 

 

He was born into an Italian-French family. He studied singing in Paris under the famous pedagogue Enrico Delle Sedie and made his debut in 1901 at the Teatro Municipal of Santiago. His first Italian appearance was in 1905 at Teatro Della Pergola in Firenze in ”Rigoletto”.

 

Chronology of some appearances

 

1901 Santiago del Cile Teatro Municipal Aida (Radames)

1902 Bologna Teatro Duse Trovatore (Manrico)

1903 San Josê de Costarica Teatro Municipal Aida (Aida)

1904 Brescia Teatro Sociale Trovatore (Manrico)

1905 Milano Teatro Lirico Forza del Destino (Alvaro)

1906 Novara Teatro Coccia Giovanni Gallurese (Giovanni)

1907 Napoli Teatro Bellini Pagliacci (Canio)

1908 Philadelphia Teatro Lyric Carmen (Don Josê)

1910 Torino Politeama Chiarella Tosca (Cavaradossi)

1911 La Spezia Politeama Duca di Genova Aida (Radames)

1912 Bari Teatro Petruzzelli Forza del Destino (Alvaro)

1913 Ravenna Teatro Alighieri Concerto

1914 Pavia Teatro Fraschini Giovanni Gallurese di I. Montemezzi

1915 Milano Teatro Carcano Ernani (Ernani)

1916 Milano Teatro Carcano Sansone e Dalida (Sansone)

1917 Venezia Teatro Rossini Carmen (Don Josè)

1918 Catania Teatro Sangiorgi Ernani (Ernani)

1919 Cremona Politeama Verdi Trovatore (Manrico)

1920 Torino Tetro Scribe Ballo in Maschera (Riccardo)

1921 Crema Teatro Sociale Ernani (Ernani)

1923 Milano Teatro Fossati Pagliacci (Canio)

 

TRACKLIST

 

 

Odeon Fonotipia/Odeon, Milano 1910-1912

Africaine (Meyerbeer) O Paradiso A82662 Odeon, Milano 1910/1911 – 1912

Aida (Verdi) Di Napata le gole (w. Bione & Plavano) X110321 Odeon, Milano 1910/1911 – 1912

Aida (Verdi) Là tra le foreste vergini (w. Moretti-Stefani) X110108 Odeon, Milano 1910/1911 – 1912

Aida (Verdi) Pur ti riveggo (w. Moretti-Stefani) X110107 Odeon, Milano 1910/1911 – 1912

Aida (Verdi) Pur ti riveggo… Fuggiam gli ardori (w. Giansone) X110423, X110424 Odeon, Milano 1910/1911 – 1912

Aida (Verdi) Qual insolita luce…Vieni o diletta (w. Verger & Corsi) 110405, 110406 Odeon Fonotipia, Milano 1910/1911 – 1912

Andrea Chénier (Giordano) Come un bel dì di maggio 110249 Xm1463 Odeon Fonotipia, Milano 1910/1911 – 1912

Bohème (Puccini) Che gelida manina, pt 1 pt 2 X113906, X113907 Odeon, Milano 1910/1911 – 1912

Carmela (de Curtis) (Fr.) 97296 XP 4661 Odeon, Paris 1909-03/04

Carmen (Bizet) Mia madre vedo ancor (w. Zotti) 110277 Odeon Fonotipia, Milano 1910/1911 – 1912

Carmen (Bizet) Or mi rifiuti (w. Verger) X110335 Odeon, Milano 19101911 – 1912

Carmen (Bizet) Ti baciava mia madre (w. Zotti) 110278 Odeon Fonotipia, Milano 1910/1911 – 1912

Cavalleria Rusticana (Mascagni) O Lola, blanche fleur 73521 XXP4647 Odeon, Paris 1909-03/04

Don Carlo (Verdi) Io la vidi 82663 Odeon, Milano 1910/1911 – 1912

Fanciulla del West (Puccini) Una parola sola… Ahime! Vergogna 82610 Mo709, 82611 Mo710 Odeon, Milano 1910/1911 – 1912

Gioconda (Ponchielli) Cielo e mar A82608 Odeon, Milano 1910/1911 – 1912

Gioconda (Ponchielli) Dal carcere m’hai tratto… O furibonda iena (w. Besalu) A 82628 Mo715, A 82629 Mo716 Odeon, Milano 1910/1911 – 1912

Guarany (Gomez) Sento una forza indomita (w. Pereira) Odeon Fonotipia, Milano 1910/1911 – 1912


ITALIAN TENOR CARLO ALBANI ODEON FONOTIPIA AND ODEON RECORDINGS

ITALIAN TENOR CARLO ALBANI ODEON FONOTIPIA AND ODEON RECORDINGS VOL. 2 CDR

 




CARLO ALBANI (TRIESTE, 1872 – ROME, 1924)

 

 

 

 

He was born into an Italian-French family. He studied singing in Paris under the famous pedagogue Enrico Delle Sedie and made his debut in 1901 at the Teatro Municipal of Santiago. His first Italian appearance was in 1905 at Teatro Della Pergola in Firenze in ”Rigoletto”.

 

Chronology of some appearances

 

1901 Santiago del Cile Teatro Municipal Aida (Radames)

1902 Bologna Teatro Duse Trovatore (Manrico)

1903 San Josê de Costarica Teatro Municipal Aida (Aida)

1904 Brescia Teatro Sociale Trovatore (Manrico)

1905 Milano Teatro Lirico Forza del Destino (Alvaro)

1906 Novara Teatro Coccia Giovanni Gallurese (Giovanni)

1907 Napoli Teatro Bellini Pagliacci (Canio)

1908 Philadelphia Teatro Lyric Carmen (Don Josê)

1910 Torino Politeama Chiarella Tosca (Cavaradossi)

1911 La Spezia Politeama Duca di Genova Aida (Radames)

1912 Bari Teatro Petruzzelli Forza del Destino (Alvaro)

1913 Ravenna Teatro Alighieri Concerto

1914 Pavia Teatro Fraschini Giovanni Gallurese di I. Montemezzi

1915 Milano Teatro Carcano Ernani (Ernani)

1916 Milano Teatro Carcano Sansone e Dalida (Sansone)

1917 Venezia Teatro Rossini Carmen (Don Josè)

1918 Catania Teatro Sangiorgi Ernani (Ernani)

1919 Cremona Politeama Verdi Trovatore (Manrico)

1920 Torino Tetro Scribe Ballo in Maschera (Riccardo)

1921 Crema Teatro Sociale Ernani (Ernani)

1923 Milano Teatro Fossati Pagliacci (Canio)

 

TRACKLIST

 

 

Odeon Fonotipia/Odeon, Milano 1910-1912

Huguenots (Meyerbeer) Plus blanche que la blanche hermine 97270 XP4585 Odeon, Paris 1908/1909
Juive (Halévy) Rachel, quand du Seigneur 97316 XP4660 Odeon, Paris 1909-03/04
Lucrezia Borgia (Donizetti) Della ducchessa i prieghi… Guai se ti sfugga un detto (w. Corsi & Vannuccini) X110251 Xm1587, X110252 Xm1588 Odeon, Milano 1910/1911 – 1912
Norma (Bellini) In mia man (w. Corsi) 110164 Xm1638 Odeon, Milano 1910/1911 – 1912
Norma (Bellini) Meco all’altar di Venere…Me protegge X110097, X110098 Odeon, Milano 1910/1911 – 1912
O sole mio (di Capua) (Fr.) 97294 XP 4646 Odeon, Paris 1909-03/04
Otello (Verdi) Dio mi potevi scagliar 82633 Odeon, Milano 1910/1911 – 1912
Otello (Verdi) Niun mi tema 110060 Odeon, Milano 1910/1911 – 1912
Otello (Verdi) Venga la morte (w. Corsi) X10256 Odeon, Milano 1910/1911 – 1912
Poliuto (Donizetti) Deh, fuggi da morte… Il suon dell’arpe angeliche (w. Corsi) X110198 Xm16 Odeon, Milano 1910/1911 – 1912
Rigoletto (Verdi) Ella mi fu rapita… Parmi veder le lagrime X 110155, X 110156 Odeon, Milano 1910/1911 – 1912
Sonnambula (Bellini) D’un pensiero (w. Chiesa) X110353 Xm 1797 Odeon, Milano 1910/1911 – 1912
Tosca (Puccini) O dolci mani X110153 Odeon, Milano 1910/1911 – 1912
Trovatore (Verdi) Ah! si, ben mio A 82609 Odeon, Milano 1910/1911 – 1912
Trovatore (Verdi) Di quella pira 110197 Xm1727 Odeon Fonotipia, Milano 1910/1911 – 1912
Trovatore (Verdi) Perché piangete… E’ questo un sogno, un’ estasi (with Biancofiore, Manfrini & Chiesa) X110331 Odeon, Milano 1910/1911 – 1912
Trovatore (Verdi) Un istante almen (w. Ballistini & Besalù) 110143 Xm1546 Odeon Fonotipia, Milano 1910/1911 – 1912

ITALIAN TENOR CARLO ALBANI ODEON FONOTIPIA AND ODEON RECORDINGS

ITALIAN TENOR CARLO ALBANI 1907-1908 PATHÉ RECORDINGS CDR

 




CARLO ALBANI (TRIESTE, 1872 – ROME, 1924)




 
 
 
 
He was born into an Italian-French family. He studied singing in Paris under the famous pedagogue Enrico Delle Sedie and made his debut in 1901 at the Teatro Municipal of Santiago. His first Italian appearance was in 1905 at Teatro Della Pergola in Firenze in ”Rigoletto”.

 
Chronology of some appearances

 
1901 Santiago del Cile Teatro Municipal Aida (Radames)
1902 Bologna Teatro Duse Trovatore (Manrico)
1903 San Josê de Costarica Teatro Municipal Aida (Aida)
1904 Brescia Teatro Sociale Trovatore (Manrico)
1905 Milano Teatro Lirico Forza del Destino (Alvaro)
1906 Novara Teatro Coccia Giovanni Gallurese (Giovanni)
1907 Napoli Teatro Bellini Pagliacci (Canio)
1908 Philadelphia Teatro Lyric Carmen (Don Josê)
1910 Torino Politeama Chiarella Tosca (Cavaradossi)
1911 La Spezia Politeama Duca di Genova Aida (Radames)
1912 Bari Teatro Petruzzelli Forza del Destino (Alvaro)
1913 Ravenna Teatro Alighieri Concerto
1914 Pavia Teatro Fraschini Giovanni Gallurese di I. Montemezzi
1915 Milano Teatro Carcano Ernani (Ernani)
1916 Milano Teatro Carcano Sansone e Dalida (Sansone)
1917 Venezia Teatro Rossini Carmen (Don Josè)
1918 Catania Teatro Sangiorgi Ernani (Ernani)
1919 Cremona Politeama Verdi Trovatore (Manrico)
1920 Torino Tetro Scribe Ballo in Maschera (Riccardo)
1921 Crema Teatro Sociale Ernani (Ernani)
1923 Milano Teatro Fossati Pagliacci (Canio)



TRACKLIST


 
 
Otello (Verdi): Ora e per sempre addio 4139 Pathé, Paris 1907
Aida (Verdi): Celeste Aida 4140 Pathé, Paris 1907
Trovatore (Verdi) Deserto sulla terra Pathe 4141 Pathé, Paris 1907
Pagliacci (Leoncavallo): Vesti la giubba 4142 Pathé, Paris 1907
Tosca (Puccini): E lucevan le stelle 4144 Pathé, Paris 1907
Tosca (Puccini): Recondita armonia 4145 Pathé, Paris 1907
Bohème (Puccini): Che gelida manina 4146 Pathé, Paris 1907
Iris (Mascagni): Apri la tua finestra 4151 Pathé, Paris 1907
Rigoletto (Verdi): La donna è mobile 4152 Pathé, Paris 1907
Favorita (Donizetti): Spirto gentil 4153 Pathé, Paris 1907
Trovatore (Verdi) Miserere Pathe 4154 Pathé, Paris 1907
Trovatore (Verdi) Ai nostri monti with Eleonora de Cisneros 84512 Pathé, Milano 1907
Aida (Verdi): Ah, tu dei vivere with Eleonora de Cisneros 84514 Pathé, Milano 1907
Africaine (Meyerbeer): Air de Vasco de Gama 4903 Pathé, Paris 1908
Huguenots (Meyerbeer): Plus blanche 4904 Pathé, Paris 1908
Prophete (Meyerbeer): Roi du ciel 4905 Pathé, Paris 1908
Sigurd (Reyer): Esprits gardiens 4906 Pathé, Paris 1908
Guglielmo Tell (Rossini): Asile hereditaire 4907 Pathé, Paris 1908
Juive (Halevy): Rachel, quand du Seigneur 4908 Pathé, Paris 1908
Pagliacci (Leoncavallo): Pauvre Paillasse 4909, Pathé, Paris 1908
Werther (Massenet): Pourquoi me réveiller 4910 Pathé, Paris 1908
Sigurd (Reyer): Entrée de Sigurd 4913 Pathé, Paris 1908
Otello (Verdi): Tout m’abandonne 4913 Pathé, Paris 1908
Lucrezia Borgia (Donizetti) Di pescator ignobile 4156 Pathé, Paris 1907?
Faust (Gounod) Trio final (w. Marignan & Belhomme) 759 Pathé, Paris 1908?


ITALIAN TENOR CARLO ALBANI 1907-1908 PATHÉ RECORDINGS CDR

ITALIAN TENOR CARLO ALBANI THE COMPLETE VICTOR RECORDINGS CDR

 



CARLO ALBANI (TRIESTE, 1872 – ROME, 1924)


 

 

 

He was born into an Italian-French family. He studied singing in Paris under the famous pedagogue Enrico Delle Sedie and made his debut in 1901 at the Teatro Municipal of Santiago. His first Italian appearance was in 1905 at Teatro Della Pergola in Firenze in ”Rigoletto”.

 

Chronology of some appearances

 

1901 Santiago del Cile Teatro Municipal Aida (Radames)

1902 Bologna Teatro Duse Trovatore (Manrico)

1903 San Josê de Costarica Teatro Municipal Aida (Aida)

1904 Brescia Teatro Sociale Trovatore (Manrico)

1905 Milano Teatro Lirico Forza del Destino (Alvaro)

1906 Novara Teatro Coccia Giovanni Gallurese (Giovanni)

1907 Napoli Teatro Bellini Pagliacci (Canio)

1908 Philadelphia Teatro Lyric Carmen (Don Josê)

1910 Torino Politeama Chiarella Tosca (Cavaradossi)

1911 La Spezia Politeama Duca di Genova Aida (Radames)

1912 Bari Teatro Petruzzelli Forza del Destino (Alvaro)

1913 Ravenna Teatro Alighieri Concerto

1914 Pavia Teatro Fraschini Giovanni Gallurese di I. Montemezzi

1915 Milano Teatro Carcano Ernani (Ernani)

1916 Milano Teatro Carcano Sansone e Dalida (Sansone)

1917 Venezia Teatro Rossini Carmen (Don Josè)

1918 Catania Teatro Sangiorgi Ernani (Ernani)

1919 Cremona Politeama Verdi Trovatore (Manrico)

1920 Torino Tetro Scribe Ballo in Maschera (Riccardo)

1921 Crema Teatro Sociale Ernani (Ernani)

1923 Milano Teatro Fossati Pagliacci (Canio)

 

 

TRACKLIST

 


 

 Forza del destino (Verdi) O tu che in seno 74095 C4886-1 Victor, USA 1907-10-18

Lolita (Buzzi-Peccia) 74096 C4889-1 Victor, USA 1907-10-22

Lucrezia Borgia (Donizetti) Di pescatore ignobile 74098 C4887-1 Victor, USA 1907-10-18

Otello (Verdi) Tu Indietro! Fuggi!… Ora e per sempre addio 74099 C4900-1 Victor, USA 1907-10-28

Pagliacci (Leoncavallo) Recitar!… Vesti la giubba 74097 C4885 Victor, USA 1907-10-18

Trovatore (Verdi) Deserto sulla terra Victor 64081 B 4891 Victor, USA 1907-10-22

Ballo in maschera (Verdi) Di tu, se fedele Victor 64082 B4899-1 Victor, USA 1907-10-28

Andrea Chénier (Giordano) Come un bel dì di maggio AGSA13 B4890-1 Victor, USA 1907-10-22

Tosca (Puccini) Recondita armonia AGSA13 B4897-1 Victor, USA 1907-10-28

Andrea Chénier (Giordano) Un dì all’azzurro spazio AGSB65 C4898-1 Victor, USA 1907-10-28


ITALIAN TENOR CARLO ALBANI THE COMPLETE VICTOR RECORDINGS CDR

ITALIAN TENOR CARLO ALBANI GATH & CHAVES RECORDINGS CDR

 


CARLO ALBANI (TRIESTE, 1872 – ROME, 1924)

 

 

 

 

He was born into an Italian-French family. He studied singing in Paris under the famous pedagogue Enrico Delle Sedie and made his debut in 1901 at the Teatro Municipal of Santiago. His first Italian appearance was in 1905 at Teatro Della Pergola in Firenze in ”Rigoletto”.

 

Chronology of some appearances

 

1901 Santiago del Cile Teatro Municipal Aida (Radames)

1902 Bologna Teatro Duse Trovatore (Manrico)

1903 San Josê de Costarica Teatro Municipal Aida (Aida)

1904 Brescia Teatro Sociale Trovatore (Manrico)

1905 Milano Teatro Lirico Forza del Destino (Alvaro)

1906 Novara Teatro Coccia Giovanni Gallurese (Giovanni)

1907 Napoli Teatro Bellini Pagliacci (Canio)

1908 Philadelphia Teatro Lyric Carmen (Don Josê)

1910 Torino Politeama Chiarella Tosca (Cavaradossi)

1911 La Spezia Politeama Duca di Genova Aida (Radames)

1912 Bari Teatro Petruzzelli Forza del Destino (Alvaro)

1913 Ravenna Teatro Alighieri Concerto

1914 Pavia Teatro Fraschini Giovanni Gallurese di I. Montemezzi

1915 Milano Teatro Carcano Ernani (Ernani)

1916 Milano Teatro Carcano Sansone e Dalida (Sansone)

1917 Venezia Teatro Rossini Carmen (Don Josè)

1918 Catania Teatro Sangiorgi Ernani (Ernani)

1919 Cremona Politeama Verdi Trovatore (Manrico)

1920 Torino Tetro Scribe Ballo in Maschera (Riccardo)

1921 Crema Teatro Sociale Ernani (Ernani)

1923 Milano Teatro Fossati Pagliacci (Canio)

 


TRACKLIST


GATH & CHAVES

Aida (Verdi) Celeste Aida 6074

Carmen (Bizet) Il fior 6086

Carmen (Bizet) Je suis Escamillo! with Alfredo Costa 6121

Cavalleria Rusticana (Mascagni) 6101

Cavalleria Rusticana (Mascagni) Brindisi 6096

Fedora (Giordano) Amor ti vieta 6085

Gioconda (Ponchielli) Cielo e mar 6087

Gioconda (Ponchielli) O grido di quest’anima wih Alfredo Costa 6120

Guillaume Tell (Rossini) Asile héréditaire 6098

Lohengrin (Wagner) Da voi lontano 6081

Lolita (Buzzi-Peccia) 6094

Madama Butterfly (Puccini) Datele voi qualche soccorso with Alfredo Costa 6123

Otello (Verdi) Dio, mi potevi, scagliar 6178

Otello (Verdi) Niun mi tema 6080

Otello (Verdi) Sante memorie 6079

Pagliacci (Leoncavallo) Arioso 6095

Rigoletto (Verdi) Ballata 6076

Rigoletto (Verdi) Questa o quella 6077

Torna amore (Buzzi-Peccia) 6106

Tosca (Puccini) E lucevan le stelle 6075

Triste ritorno (Barthélemy) 6104

Trovatore (Verdi) Di quella pira 6068

Werther (Massenet) Ah, non mi ridestar 6102


ITALIAN TENOR CARLO ALBANI GATH & CHAVES RECORDINGS CDR

Feb 20, 2025

ITALIAN SOPRANO SERAFINA SCALFARO CDR

 



SERAFINA SCALFARO (PARMA, 1876 - ?)


 

 

 

She began her operatic career in 1907, performing in various European theaters. She made early appearances in Varna at Teatro Boris, singing as Eudossia in L'Ebrea and as Violetta in La Traviata. That same year, she performed as Mimì in La Bohème in Corfu at Teatro Della Fenice and in Athens at Teatro Nuovo Falero.

Her career continued to flourish in 1908 with a season at Teatro Solodownikoff in Kiev and a performance as Ines in L'Africana at Teatro D’Inverno in Poltava. Later that year, she appeared as Gilda in Rigoletto in Treviso, followed by a series of roles in Gand (Ghent) at Petit Théâtre, including Oscar in Un Ballo in Maschera, Mimì in La Bohème, and Micaela in Carmen.

In 1911, she made her American debut at the Metropolitan Theater in Philadelphia, singing Myrtale in Thaïs and performing in Quo Vadis by J.C. Nogues.

By 1914, she returned to Italy, where she sang Margherita in Faust at Teatro Gaffurio in Lodi.

 

Chronology of some appearances

 

1907 Varna Teatro Boris Ebrea (Eudossia)

1908 Treviso Teatro Sociale Rigoletto (Gilda)

1911 Philadelphia Teatro Metropolitan Thais (Myrtale)

1914 Lodi Teatro Gaffurio Faust (Margherita)

 

TRACKLIST

 

 

1. Don Pasquale (Donizetti) Tornami a dir (w. Salvati) 054421 553aj Gramophone, Milano 1913-02-18

2. Faust (Gounod) Permettereste a me (w. De Gregorio & Bettoni) 054433 584aj Gramophone, Milano 1913-02-28

3. Traviata (Verdi) Alfredo, Alfredo (w. Botta & Schottler) 43152 Soc. Fonografica Napoletana, Napoli 1911/1912

4. Traviata (Verdi) Gran dio morir (w. Botta) 43171 Soc. Fonografica Napoletana, Napoli 1911/1912

5. Traviata (Verdi) Parigi, o cara (w. Botta) 43183 Soc. Fonografica Napoletana, Napoli 1911/1912

6. Traviata (Verdi) Scena della borsa (w. Botta) 43125 Soc. Fonografica Napoletana, Napoli 1911/1912


ITALIAN SOPRANO SERAFINA SCALFARO CDR

CZECH TENOR JAN BERLÍK (1892-1972) CDR

 




JAN BERLÍK (TÁBOR, 24 MAY, 1892 – PRAGUE, 27 DECEMBER, 1972)

 

 

 


He studied singing under E. Fuchs, K. Wallerstein, and C. Emmerich. From 1925, he performed in Bratislava, in 1926 at the National Theatre in Prague, and in 1927, he moved to Hamburg. During the 1931–1940 seasons, he sang again at the National Theatre. Berlík had a lovely, soft voice with a beautiful cantilena and an impressive stage presence. His most notable roles included Jeník (Prodaná nevěsta), Alfredo (La Traviata), Don Carlo, Rodolfo (La Bohème), Cavaradossi (Tosca), and Don José (Carmen). In the 1950s, he taught singing at the Prague Conservatory.

 

Chronology of Some Appearances

 

1925 – Bratislava Opera House

1926 – Prague National Theatre

1927 – Hamburg Opera House

1931–1940 – Prague National Theatre 

 

TRACKLIST 

 

 Jan Berlík made 6 recordings

Rigoletto (Verdi): O wie so trügerisch B11005 34331 Parlophon

Bohème (Puccini): Wie eiskalt ist dies Händchen P9198 2-20409 Parlophon, Berlin 1927-10-13

Pagliacci (Leoncavallo): Jetzt spielen P9198 2-20410 Parlophon, Berlin 1927-10-13

Tosca (Puccini): Wie sich die Bilder gleichen O-6590 xxB7891 Odeon, Berlin 1927-10-13

Tosca (Puccini): Und es blitzten die Sterne O-6590 xxB7892 Odeon, Berlin 1927-10-13


CZECH TENOR JAN BERLÍK (1892-1972) CDR

ITALIAN BARITONE ALFREDO COSTA (1874-1913) VOL. 1 CDR

 


ALFREDO COSTA (ROME, 1874 – NAPLES, 1913)

 

 

 

 

Starting in 1894, he studied at the Accademia di Santa Cecilia under Antonio Cotogni. He made his debut in 1900 at the Sociale of Pinerolo as Renato in Un Ballo in Maschera. From 1910 to 1912, he was a member of the Civic Opera House in Chicago. The husband of soprano Isabella Orbellini, he died of nephritis at the Monisani nursing home in Naples.

 

Chronology of some appearances

 

1900 Pinerolo Teatro Sociale  Boheme (Marcello)

1902 Lisbona Teatro San Carlos Sapho di J. Massenet (Caoudal)

1904 Odessa Teatro Municipale Barbiere di Siviglia (Figaro)

1906 Napoli Teatro San Carlo Barbiere di Siviglia (Figaro)

1908 Oporto Teatro San Joao Zaza’ (Cascart)

1910 Alessandria d’Egitto Teatro Parisiana Tosca (Scarpia)

1912 Philadelphia Teatro Metropolitan Rigoletto (Rigoletto)


 

TRACKLIST

 

 

  1. Aida (Verdi) Quest’assisa 6043 Gath & Chaves, Buenos Aires
  2. Andrea Chenier (Giordano) Un dì m’era di gioia 6034 Gath & Chaves, Buenos Aires
  3. Andrea Chénier (Giordano) Un dì m’era di gioia 84534 Pathé, Milano 1908
  4. Ballo in Maschera (Verdi) Eri tu 84527 10266 Pathé, Milano 1908
  5. Barbiere di Siviglia (Rossini) Cavatina di Figaro 84533 10051 Pathé, Milano 1908
  6. Barbiere di Siviglia (Rossini) Largo al factotum 6037 Gath & Chaves, Buenos Aires
  7. Carmen (Bizet) Ho nome Escamillo with Carlo Albani 6121 Gath & Chaves, Buenos Aires
  8. Don Giovanni (Mozart) Serenata 6111 Gath & Chaves, Buenos Aires
  9. Don Pasquale (Donizetti) Bella siccome un angelo 6114 Gath & Chaves, Buenos Aires
  10. Faust (Gounod) Dio possente 84532 Pathé, Milano 1908
  11. Fedora (Giordano) La donna russa 6036 Gath & Chaves, Buenos Aires
  12. Gioconda (Ponchielli) Duetto with Carlo Albani 6120 Gath & Chaves, Buenos Aires
  13. Ideale (Tosti) 6112 Gath & Chaves, Buenos Aires
  14. Madama Butterfly (Puccini) Duetto with Carlo Albani 6123 Gath & Chaves, Buenos Aires


ITALIAN BARITONE ALFREDO COSTA (1874-1913) VOL. 1 CDR

ITALIAN BARITONE ALFREDO COSTA (1874-1913) VOL. 2 CDR

 


ALFREDO COSTA (ROME, 1874 – NAPLES, 1913)


 

 


Starting in 1894, he studied at the Accademia di Santa Cecilia under Antonio Cotogni. He made his debut in 1900 at the Sociale of Pinerolo as Renato in Un Ballo in Maschera. From 1910 to 1912, he was a member of the Civic Opera House in Chicago. The husband of soprano Isabella Orbellini, he died of nephritis at the Monisani nursing home in Naples.

 

Chronology of some appearances

 

1900 Pinerolo Teatro Sociale  Boheme (Marcello)

1902 Lisbona Teatro San Carlos Sapho di J. Massenet (Caoudal)

1904 Odessa Teatro Municipale Barbiere di Siviglia (Figaro)

1906 Napoli Teatro San Carlo Barbiere di Siviglia (Figaro)

1908 Oporto Teatro San Joao Zaza’ (Cascart)

1910 Alessandria d’Egitto Teatro Parisiana Tosca (Scarpia)

1912 Philadelphia Teatro Metropolitan Rigoletto (Rigoletto)

 

 

TRACKLIST

 

 

  1. Occhi di fata (Denza) 84528 10266 Pathé, Milano 1908
  2. Otello (Verdi) Brindisi 6127 Gath & Chaves, Buenos Aires
  3. Otello (Verdi) Credo 84535 Pathé, Milano 1908
  4. Pagliacci (Leoncavallo) Decidi il mio destin 6124 Gath & Chaves, Buenos Aires
  5. Pagliacci (Leoncavallo) Prologo 6115 Gath & Chaves, Buenos Aires
  6. Re di Lahore (Massenet) O casto fior 6117 Gath & Chaves, Buenos Aires
  7. Rigoletto (Verdi) Cortigiani 84531 Pathé, Milano 1908
  8. Rigoletto (Verdi) Cortigiani vil razza dannata 6038 Gath & Chaves, Buenos Aires
  9. Tannhäuser (Wagner) O tu bell´astro incantator 6129 Gath & Chaves, Buenos Aires
  10. Tosca (Puccini) Se la giurata fede 6032 Gath & Chaves, Buenos Aires
  11. Tosca (Puccini) Se la giurata fede 84530 10051 Pathé, Milano 1908
  12. Zazà (Leoncavallo) Buona Zazà 37596 Odeon, Milano 1908/1909
  13. Zazà (Leoncavallo) Zaza, piccola zingara 37595 Odeon, Milano 1908/1909


ITALIAN BARITONE ALFREDO COSTA (1874-1913) VOL. 2 CDR

Feb 19, 2025

AMERICAN SOPRANO LUCY ISABELLE MARSH (1878-1956) CDR

 



LUCY ISABELLE MARSH (ITHACA, NEW YORK, APRIL 10, 1878 – ? JANUARY 20, 1956)


 

 

 

 

She was trained by Walter Hall in New York and by Trabadello in Paris. She first appeared in the eastern United States as a church singer. Later, she recorded a few tracks for Columbia but was soon hired by the Victor Company, where she remained their house soprano for years. She achieved great success as a recording artist, although she did not perform on stage and only rarely appeared in concert halls. She later pursued a career in education. The artist, who was married to a doctor, passed away after a long illness. Among her numerous recordings, her duets with John McCormack were particularly well known. She also made electric recordings for Victor, including masterful performances of arias from Messiah and other religious vocal works and oratorios, especially compositions by Rossini and Mendelssohn, as well as opera arias. It is likely that there are ensemble recordings under the Victor label featuring her voice without her name being credited.

 

 

TRACKLIST

 

 

1. Aida (Verdi) Ritorna vincitor 55135 C-21600-5 Victor, 3/12/1918

2. Amoureuse waltz (Berger) 60062 B-10143 Victor, 4/3/1911

3. Les filles de Cadiz (Delibes) 60069 B-11232 Victor, 11/14/1911

4. Parla waltz (Arditi) 55107 C-9051 Victor, 6/3/1910

5. Peer Gynt. Solvejgs sang (Grieg) 70072 C-11592 Victor, 2/14/1912

6. Stabat Mater (Rossini) Inflammatus (w. chorus) 70037 C-10102-1 Victor, 3/27/1911

7. Summer (Chaminade) 70051 C-10730 Victor, 7/14/1911

8. Sunlight waltz (Ware) 70017 C-8419 Victor, 12/2/1909

9. Swallows waltz (Eva Dell’Acqua) 55108 C-8329 Victor, 10/29/1909

10. Tapfere Soldat (Straus) My hero 60012 B-8617 Victor, 2/10/1910

11. The Creation (Haydn) With verdure clad 60055 B-8330 Victor, 10/29/1909

12. To the land of my own romance (Herbert) 60066 B-11139 Victor, 11/14/1911

13. Traviata (Verdi) Ah, fors’ è lui 70094 C-11141 Victor, 10/26/1911

14. Welcome, pretty primrose (Pinsuti) 60058 B-10426 Victor, 5/22/1911

15. When the swallows homeward fly (Abt) 45067 B-15774 Victor, 3/10/1915

16. Within a mile of Edinboro’ town (Hook) 60057 B-8425 Victor, 12/2/1909

17. Zigeunerliebe (Lehár) The melody of love 60059 B-11069 Victor, 10/10/1911

18. Messiah (Handel) I know that my Redeemer liveth 70071 C-11593 Victor, 2/14/1912


AMERICAN SOPRANO LUCY ISABELLE MARSH (1878-1956) CDR

ITALIAN BARITONE GAETANO PRUDENZA CDR

 


GAETANO PRUDENZA

 


 

Probably he made his debut in 1907 at the Teatro Regina Margherita in Caltanisetta in U. Giordano’s ‘’Fedora’’.

 

Chronology of some appearances

 

1907 Caltanisetta Teatro Regina Margherita    Fedora (De Siriex)

1908 Salerno Teatro Verdi Adriana Lecouvreur (Michonnet)

1909 Napoli Teatro Bellini Adriana Lecouvreur (Michonnet)

1910 Alessandria d’Egitto Teatro Parisiana Carmen (Escamillo)

1912 Venezia Teatro Malibran Compagnia Operette citta’ di Milano

1914 Buenos Ayres Teatro Coliseo Compagnia operette citta’ di Milano

1919 Firenze Politeama Fiorentino Fanciulla del West (Rance)

1920 Palermo Teatro Nazionale Carmen (Escamillo)



TRACKLIST


 

Odeon Fonotipia, Milano 1910/1912

1. La Principessa Della Czarda (E. Kalman): Spesso Il Cuore Si Innamora with Gilda Butti X110469 XM 1900 MP-5

2. La Principessa Della Czarda (E. Kalman): Canzone di Boni X110470 XM1903 MP-5

3. Soldato ignoto (Mario) 83135

4. Boheme (Puccini): Quartetto p.I° with Piero Strazza, Renato Meroni, Medardo Medosi 110085 XM 1391

5. Boheme (Puccini): Quando men vò with Piero Strazza, Renato Meroni, Zoraide Sarzanini and Medardo Medosi 110001

6. Boheme (Puccini): Mimi e tanto malata with Piero Strazza and Zoraide Sarzanini 110083 XM 1379

7. Boheme (Puccini): O buon Marcello with Zoraide Sarzanini 110082


ITALIAN BARITONE GAETANO PRUDENZA CDR