Forgotten Opera Singers

Forgotten Opera Singers

Jul 30, 2025

CROATIAN TENOR MARIO ŠIMENC (1896-1958) CDR

 

Lohengrin


MARIO (MARIJ) ŠIMENC (GORICA, TODAY GORIZIA, ITALY, JANUARY 23, 1896 – ZAGREB, CROATIA, NOVEMBER 26, 1958)

 

 

 

 

He began his singing career in Maribor in 1919 and continued in Ljubljana (1922–1924) and Zagreb (1924–1941). He occasionally performed in Belgrade and Osijek, and after World War II, in Skopje. He also appeared abroad. A dramatic tenor of remarkable vocal quality, he excelled in leading roles in operas by R. Wagner, G. Verdi, F. Halévy, G. Puccini, A. Ponchielli, R. Leoncavallo, G. Bizet, C. Saint-Saëns, D. Shostakovich, and others. He sang the title role in the world premiere of J. Gotovac’s opera Ero s onoga svijeta (Zagreb, 1935). He created for Croatia the role of Calaf in the premiere of G. Puccini’s ‘’Turandot’’ (1928).

 

Chronology of some appearances

 

1922-1924 Ljubljana Opera

1924-1941 Zagreb Opera

 

TRACKLIST

 

  

Aida (Verdi) Celeste Aida Edison Bell DZ1235 DZ26

Andrea Chenier (Giordano) La nostra morte (w. Zika) Edison Bell VZ1210 VZ27

Carmen (Bizet) Il fior Edison Bell CZ1235 DZ12

Pagliacci (Leoncavallo) Vesti la giubba Edison Bell CZ1237

Tosca (Puccini) Recondita armonia Edison Bell CZ 1237 CZ 191


CROATIAN TENOR MARIO ŠIMENC (1896-1958) CDR

GREEK TENOR MICHALIS THOMAKOS CDR

 



MICHALIS THOMAKOS

 

 

 

He began his artistic career in operetta, collaborating with Yannis Papaioannou's troupe Hellenic Operetta, with which he appeared in productions such as Take Me with You, Blue Mazurka, The Dutchwoman, The Queen of the Fox-Trot, and Where the Lark Speaks (1922), as well as Bayandre, The Last Waltz (1922–1923), Frasquita (1923), among others.

He made his first appearance before an Italian audience in Onelia, where he made such a strong impression that he was immediately invited to appear again. This was followed by a concert in Milan and performances at the Politeama Milanese theater in the operas Il Barbiere di Siviglia and Lucia di Lammermoor, where he won public admiration and favorable reviews from the Italian press.

In May and October of 1928, he recorded for Fonotipia in Milan under the name Michele Tomaco.

In 1929, he appeared in Italy in productions of Il Barbiere di Siviglia at the Politeama Mabellini in Pistoia, Tuscany, and at the Teatro Civico in Merano.

Upon returning to Greece around 1930, he collaborated with the Greek Melodrama troupe. According to Antonis Hatziapostolou (History of Greek Melodrama, Athens, 1949, p. 128), he remained with the company for several years, taking part in tours and performing in numerous operas. His roles included Faust (Olympia Theater, 7 July 1930), Lakmé (1932–1933) as Gérard, Il Barbiere di Siviglia (1932 and 1933) as Count Almaviva, Manon (1932) as Des Grieux, Don Pasquale, La Traviata (1933), among others.

In 1931, he participated in a Greek Melodrama tour in Trikala, presenting operas such as La Traviata, Aida, Rigoletto, and Markos Botsaris at the Attikon Theater. In the summer of 1933, he took part in a tour through the Peloponnese, Messolonghi, Agrinio, Arta, and Ioannina, and in the winter of 1937, he appeared again with the troupe at the Olympia Theater in Athens.

During the 1930s, he also worked with the Paulas–Iatrou Operetta Company, performing in the revue operetta Jenny Falls in Love, as Michalis Nomides, and in Countess Maritsa as Count Tasilo.

In 1934, he appeared in the Greek film They're Calling You on the Phone, playing the role of a jazz singer.

In February 1938, he performed with Nikos Gounaris at the Ethnikon center in Heraklion, Crete.

He emigrated to the United States, likely after World War II. In the late 1940s, he appeared in various performances organized by the Greek Actors' Troupe, such as a tribute to Katina Thymiou (Palm Garden, New York, 4 April 1948), the drama Why Did I Sin (New England Mutual Hall, Boston, 7 November 1948), and events including the American Legion George Dilboy Post and the Association of Athenians (Manhattan Center, New York, 23 May 1948), the Asia Minor Association "The Providence" (Manhattan Center, New York, 4 December 1948), and an artistic evening organized by G. Degaitas (Palm Garden, New York, 5 December 1948).

On New Year’s Eve 1948, he performed with the orchestra of Lucianos Kavvadias at the Acropolis Casino in New York, where he continued to appear regularly. He collaborated with artists such as G. Vitalis, A. and K. Pongis, Koula Giuseppe, among others, and in 1949 took on duties as a manager and master of ceremonies. That year, he also performed at the New York restaurant Wivel, and participated in dances organized by various clubs and associations: the women's club Aspasia (Diplomat Hotel, New York, 22 February 1949), Pan-Proikonisia (Yorkville Casino, 26 March 1949), Kalavrytina (Palm Garden, 27 March 1949), Samia (Manhattan Center, 17 April 1949, with Paola and others), the Hellenic-American Football Club (Diplomat Hotel, 14 May 1949), and the Asia Minor Association "I Pronoia" (Manhattan Center, 19 November 1949).

On 8 May 1949, he appeared on the radio program The Albert Bacolas Hour, broadcast on WLIB 1190 Kc.

Throughout the 1950s, he continued performing at venues such as Dennis Chop House (New York, opening 3 November 1950), and at various social events: the Kefallinia Ladies' Club (St. Moritz Hotel, 12 February 1950), the Kefallinians (Hotel Statler, 12 March 1950), Nikos Gounaris's farewell concert (Manhattan Center, 30 April 1950), the American Legion George Dilboy Post dance (Manhattan Center, 7 December 1951), the Federation of Dodecanese Associations (Capitol Hotel, 12 January 1952), Acropolis Casino (New Year’s Eve 1954), and the Athenian Association dance (Statler Hotel, 18 March 1956).

 

 

TRACKLIST

  

 

Argentina (Raimondi) Columbia D. G. 4 W. G. 2

Athina to paliou kerou (Manesi-Antoniade) Duett (w. unknown singer) Standard F-9046-A 10-562

Ay - Ay - Ay (Freire) Columbia D. G. 9 W. G .11

Don't ask me Columbia F. G. 184 W. G. 210

Lucia di Lammermoor (Donizetti) Fra poco a me ricovero 120189 Pho6297 Fonotipia, Milano 1928-05-31

Manon (Massenet) Chiudo gli occhi 168200 Pho6449 Fonotipia, Milano 1928-10-27

Mignon (Thomas) Addio Mignon, fa core! 168200 Pho6448 Fonotipia, Milano 1928-10-27

Mipaz (Mirage) (Wise-Leeds-Demey-Diamantis) Standard F-9110-A E2-CB-8035-1

Nineta Nanina Ninon Columbia D. G. 153 W. G. 168

Ramona (Wayne) Columbia 8347

Serenata (Toselli) Columbia D. G. 9 W. G. 1

Why do you say you love me (Metaxas) Columbia D. G. 308

Ya matia ta dika sou agapo (Manesi-Rigopoulos) Standard F-9046-B 10-564


GREEK TENOR MICHALIS THOMAKOS CDR

Jul 29, 2025

DANISH TENOR MISCHA LÉON (1889-1926) CDR

 





MISCHA LÉON (COPENHAGEN, 4 DECEMBER, 1889 – NEW YORK, 7 APRIL, 1926)

 

 

 


His real name was Harry Haurowitz. He studied singing under Jean de Reszke, Devillier, and Reinhard. In 1918, he made his debut at the Opéra-Comique in Roméo et Juliette as Roméo. In Brno, he studied Leoš Janáček’s The Diary of One Who Disappeared with Břetislav Bakala and performed it in the original Czech in 1922. He first appeared in the British premiere at Wigmore Hall in London on October 22, 1922, followed by the French premiere at the Paris Conservatory. He toured the USA and Europe, and sang the role of Don José in Carmen at the National Theater in Prague. He also gave recitals in Denmark. He was the second husband of the well-known Canadian soprano Pauline Donalda.

 

 

TRACKLIST

 

 

Jens Vejmand (Nielsen) Victor 73783-A

Liden Karen (Heise) Victor 69672 B-19920

Vaagn af din Slummer (Heise) Victor 73783-B

Vuggesang (Heise) Victor 69672 B-19960

Der var engang (Lange-Müller) Victor 69411 B-19452

Det gamle Kristianshavn (Kjerulf) Victor 69411 B-19455


DANISH TENOR MISCHA LÉON (1889-1926) CDR

Jul 20, 2025

AUSTRIAN SOPRANO RIZA EIBENSCHÜTZ (1870-1947) CDR

 

Senta


RIZA EIBENSCHÜTZ (BUDAPEST, 17 FEBRUARY, 1870 – PERCHTOLDSDORF, 16 JANUARY, 1947)

 

 

 

She studied singing with Joseph Gänsbacher and Marianne Brandt in Vienna and made her debut in 1894 at the Opernhaus in Leipzig as Sélika in G. Meyerbeer’s L’Africaine. Her repertoire included Brünnhilde in Der Ring des Nibelungen, Senta in Der fliegende Holländer, Rezia in Oberon, Rachel in La Juive, and Leonore in Fidelio. She was married to the conductor Oskar Malata (1875–1959) and, after the end of her career, worked as a singing teacher in Vienna.

 

Chronology of some appearances

 

1984 Leipzig Opernhaus 

1895-1897 Straßburg Stadttheater

1897-1899 North America tour Damrosch Opera Company

1899-1902 Leipzig Opernhaus 

1902 Dresden Hofoper Salome by R. Strauss (Premiere)

1902 Dresden Hofoper Orestes by F. Weingartner (Premiere)

1902 Dresden Hofoper Das war ich by Leo Blech (Premiere)

1903 Dresden Hofoper Odysseus Tod by August Bungert (Premiere)

1905 Dresden Hofoper Salome by R. Strauss (Premiere)

1911 Dresdner Hofoper Rosenkavalier by R. Strauss (Premiere)

 

 

TRACKLIST

  

 

Fidelio (Beethoven) Mir ist so wunderbar (w. Nast, Rödiger & Rains) 2-44439 5065r Gramophone, Dresden 1908

Huguenots (Meyerbeer) Ach dies Herz (w. Rains) 2-44436 5073r Gramophone, Dresden 1908

Juive (Halévy) Er kehrt zurück 2-43172 5082r Gramophone, Dresden 1908

Nozze di Figaro (Mozart) Briefduett (w. Nast) 3-44032 5076r Gramophone, Dresden 1908

Rienzi (Wagner) In seiner Blüte X51940 xB4958 Odeon, Berlin 1910-09


AUSTRIAN SOPRANO RIZA EIBENSCHÜTZ (1870-1947) CDR

BELGIAN TENOR ERNEST FORGEUR CDR

 



ERNEST FORGEUR

  

 

 

From 1901 to 1906 at the Théâtre de la Monnaie in Brussels, he appeared as a comprimario in Lakmé, Otello, Hamlet, Le Prophète, Werther, Louise, Mignon, and Alceste.

 

Chronology of some appearances

 

1901-1906 Brussels Théâtre de la Monnaie

 

TRACKLIST 


 

Cloches de Corneville (Planquette) Va, petit mousse 17036 Edison 2-min cylinders, Paris 1904/1905

Cloches de Corneville (Planquette) Valse 17013 Edison 2-min cylinders, Paris 1904/1905

Fille du Régiment (Donizetti) Romance 17233 Edison 2-min cylinders, Paris 1904/1905

Jour et la Nuit (Lecocq) Romance 17075 Edison 2-min cylinders, Paris 1904/1905

Li prétimps (composer unknown) 18300 Edison 2-min cylinders, Paris 1904/1905

Mascotte (Audran) Je ne sais quoi 17039 Edison 2-min cylinders, Paris 1904/1905


BELGIAN TENOR ERNEST FORGEUR CDR

Jul 19, 2025

JEANNE MAUBOURG THE COMPLETE RECORDINGS CDR

 



JEANNE MAUBOURG (NAMUR, BELGIUM, NOVEMBER 10, 1875 - MONTREAL, CANADA, MAY 9, 1953)

 

 

 

She was trained by her father and by Mme Labarra in Brussels, and began her career as a concert singer. In 1896, she made her stage debut at the Théâtre des Galéries in Brussels. From 1897, she performed with great success at the Théâtre de la Monnaie in Brussels, especially in Offenbach’s La Périchole.

During the 1901–1903 seasons, she sang at Covent Garden in London. In 1909, she was engaged by the Metropolitan Opera in New York, making her debut as Lola in Cavalleria Rusticana. At the Met, she primarily appeared in light mezzo-soprano roles such as Siebel in Gounod’s Faust, Nicklausse in Les Contes d’Hoffmann, Meg Page in Verdi’s Falstaff, Mlle Long in Lecocq’s La fille de Mme Angot, Javotte in Massenet’s Manon, and, in 1914, Angella in the American premiere of Montemezzi’s L’amore dei tre re.

In 1912, she sang Beatrice in the American premiere of Wolf-Ferrari’s Le Donne Curiose under Arturo Toscanini at the Met. Under Toscanini’s direction, she also took part in the 1913 Met premiere of Boris Godunov and sang Emilia in a glittering performance of Otello, alongside Leo Slezak and Frances Alda. In 1910, she appeared in the Met premiere of Auber’s Fra Diavolo.

In 1913, she participated in the Metropolitan Opera’s guest performances in Paris. During the 1915–1916 season, she was engaged by the Chicago Opera.

Later, she settled in Canada, where she performed with the Canadian National Opera Company and gave concerts. For many years, she worked as a vocal pedagogue in Montreal.

 

Chronology of some appearances

 

1896 Brussels Théâtre des Galéries

1897 Brussels Théâtre de la Monnaie

1901-1903 London Covent Garden

1909 New York Metropolitan Opera

 

TRACKLIST

 

 

Berceuse (Ma curly-headed baby) (Clutsam) 58014 9594 Edison, New York

La Tire (Larrieu) 58014 9595 Edison, New York

Le rideau du lit (-) 58015 9598 Edison, New York

Le rouet (Larrieu) 58013 9589 Edison, New York

Mon mari est bien malade (-) 58015 9597 Edison, New York

Vogelhändler (Zeller) Air du rossignol 58013 9588 Edison, New York


JEANNE MAUBOURG THE COMPLETE RECORDINGS CDR

FRENCH SOPRANO MADELEINE MATHIEU (1891-1994) CDR

 

Carmen



MADELEINE MATHIEU ( ARCIS-SUR-AUBE (AUBE), 15-06-1891 - PARIS, FRANCE, 03-01-1994)


 

 

 

She studied singing at the Paris Conservatoire under the pedagogues Cazeneuve, Gailhard, and Isnardon. She made her debut in 1913 at the Paris Opéra-Comique as Anita in Massenet’s La Navarraise. She had a long-standing career at this opera house and was heard there in roles such as Carmen, Tosca, Butterfly, Suzuki in Puccini’s Madama Butterfly, Santuzza in Cavalleria Rusticana, and the Princess in Henri Rabaud’s Marouf. In 1921, she appeared as a guest at the Teatro Liceo in Barcelona in the premiere there of Vincent d'Indy’s L'Étranger. In 1922, she achieved one of her greatest successes when she performed the role of Carmen—her signature role—at the Zurich Music Festival. After retiring, she worked in Paris as a respected pedagogue and was, among others, the teacher of Robert Massard, Margaret Mas, and R. Gardes.

 

Chronology of some appearances

 

1913 Paris Opéra-Comique

1921 Teatro Liceo Barcelona

 

TRACKLIST

 

 

Ave Maria (Bach-Gounod) BP5 6849 La Bonne Presse cylindres

Ave Maria (Cherubini) BP9 6846 La Bonne Presse cylindres

Faust (Gounod) Air des bijoux 17231 Edison 2-min cylinders, Paris

Huguenots (Meyerbeer) Nobles Seigneurs 17239 Edison 2-min cylinders, Paris

Marouf (Rabaud) Ses yeux sont doux W410 033199 03384v Gramophone, Paris 1920-06-10

Sérénade (Pierné) 17673 Edison 2-min cylinders, Paris

Sérénade printanière (Holmès) 17683 Edison 2-min cylinders, Paris


FRENCH SOPRANO MADELEINE MATHIEU (1891-1994) CDR

GERMAN SOPRANO CÄCILIE RÜSCHE-ENDORF (1873-1939) CDR

 



CÄCILIE RÜSCHE-ENDORF (DORTMUND, 8 APRIL, 1873 – LEIPZIG, 13 MARCH, 1939)

 

 

 


She studied at the conservatoire in Cologne and with Alberto Selva in Milan. She made her debut in 1894 at the Stadttheater in Zurich as Agathe in Der Freischütz. From 1896 to 1902, she was a member of the Cologne Opera House, where in 1902 she appeared in the premiere of Emanuel Moor’s opera Die Pompadour. In 1898, she married the opera singer Hermann Endorf. During the 1904–1905 season, she was engaged at the Stadttheater in Elberfeld, and from 1905 to 1910, she sang at the Opera House in Hanover. From 1910 to 1915, she appeared with great success at the Leipzig Opera, where in 1914 she sang the role of Kundry in the Leipzig premiere of Parsifal, partnered by Jacques Urlus.

She sang at the Bayreuth Festival from 1906 to 1909 and made guest appearances at the Berlin Court Opera (1907–1909), the Munich Court Opera (1910–1918), in Amsterdam and Rotterdam (1910), at the Théâtre de la Monnaie in Brussels (1913, 1914), the German Theatre in Prague (1911), the Stadttheater in Zurich, and the Dresden Court Opera (1911). In 1908, and again from 1911 to 1914, she was heard at Covent Garden in London in Wagnerian roles.

Later, she settled in Leipzig, where she worked as a vocal pedagogue. Her stage repertoire included Elsa in Lohengrin, Eva in Die Meistersinger, Elisabeth in Tannhäuser, Desdemona in Otello, Pamina in Die Zauberflöte, Marguerite in Faust, and the title role in Die Königin von Saba.

 

Chronology of some appearances

 

1894 Zurich Stadttheater

1896-1902 Cologne Opernhauses

1904-1905 Elberfeld Stadttheater

1905-1910 Hannover Opernhaus

1906-1910 Bayreuth Festival 

1907-1909 Berlin  Hofoper

1908 London Covent Garden

1910-1915 Leipzig Opernhaus

1911 London Covent Garden

1911 Prague Deutschen Theater

1911 Zurich Stadttheater

1911 Dresden Hofoper

1912 London Covent Garden

1913 London Covent Garden

1913 Brussels Théâtre de la Monnaie

1914 Brussels Théâtre de la Monnaie

1914 London Covent Garden

1910-1918 Munich  Hofoper


TRACKLIST

 

 

Freischütz (Weber) Und ob die Wolke (Cavatine) 2-43056 4010r Gramophone, Hannover 1907-12

Lohengrin (Wagner) Einsam in trüben Tagen 2-43316 Gramophone, Berlin 1909-10-29

Nozze di Figaro (Mozart) Heil'ge Quelle 2-43057 4011r Gramophone, Hannover 1907-12

Tannhäuser (Wagner) Der Unglücksel'ge 043150 293ac Gramophone, Berlin 1909-10-29

Tannhäuser (Wagner) Dich teure Halle 2-43314 1828ab Gramophone, Berlin 1909-10-29


GERMAN SOPRANO CÄCILIE RÜSCHE-ENDORF (1873-1939) CDR

FRENCH MEZZO-SOPRANO BLANCHE DESCHAMPS-JÉHIN (1857-1923) CDR

 



BLANCHE DESCHAMPS-JÉHIN (ALSO MARIE BLANCHE DESCHAMPS-JEHIN) (LYONS, 18 SEPTEMBER, 1857 - PARIS, JUNE, 1923)

 

 

 

 

Already in 1874, she sang at the Alhambra Theatre in Brussels in Lecocq’s operetta Giroflé-Girofla. Her operatic debut took place in 1879 at the Théâtre de la Monnaie in Brussels in Thomas’s Mignon. At the same theater, she appeared on 19 December 1881 in the premiere of Massenet’s Hérodiade in the title role, and on 7 January 1884 in the premiere of Reyer’s Sigurd, singing the role of Uta.

She then joined the Opéra-Comique in Paris (1885–1891), where she appeared in several premieres: Une nuit de Cléopâtre by Massé (25 April 1885), Le roi d’Ys by Lalo (7 May 1888), and Le Rêve by Bruneau (10 June 1891). In 1892, she sang the role of Dalila in Samson et Dalila by Saint-Saëns in the first performance of the opera at the Paris Grand Opéra, where she was a celebrated prima donna from 1891 to 1902.

In 1891, she also sang with great success in a concert in Paris commemorating the 100th birthday of Meyerbeer. In 1893, she appeared at the Grand Opéra as Fricka in the French premiere of Wagner’s Die Walküre, and on 19 February 1897, she participated in the premiere of Bruneau’s Messidor.

That same year, in 1891, she also appeared at Covent Garden in London as Carmen and in the English premiere of Bruneau’s Le Rêve. On 2 February 1900, she created the role of the Mother in the premiere of Charpentier’s Louise at the Opéra-Comique.

In 1889, she married the conductor Léon Jehin (1853–1928), who was active at the Monte Carlo Opera, where she regularly guested from that year onward. There, on 4 March 1894, she sang the title role in the posthumous premiere of César Franck’s opera Hulda. On 9 March 1895, she appeared in Lalo’s La Jacquerie, and on 14 February 1903, in Eugène d’Harcourt’s Le Tasse. On 14 February 1905, she sang the role of the Baroness in the premiere of Massenet’s Chérubin.

She continued to perform at the Monte Carlo Opera until 1913, appearing in roles such as Gertrude in Thomas’s Hamlet, in Boito’s Mefistofele (1910, 1912), in Saint-Saëns’s Hélène, as well as in Wagner’s Das Rheingold and Siegfried (1910, 1911, and 1913), and as the voice of the Mother in Les Contes d’Hoffmann (1911).

 

Chronology of some appearances

 

1874 Brussels  Alhambra Theatre Giroflé-Girofla
1879 Brussels Théâtre de la Monnaie Mignon
1881 Brussels Théâtre de la Monnaie Herodiade
1884 Brussels Théâtre de la Monnaie Sigurd
1885-1891 Paris Opéra-Comique

 

TRACKLIST

  

 

L'anneau d'argent (Chaminade) 17834 Edison 2-min cylinders, Paris 1906

Noël Païen (Massenet) 17821 Edison 2-min cylinders, Paris 1906

Prophète (Meyerbeer) Ah mon fils 97041 xP4299 Odeon, Paris 1908-06

Prophète (Meyerbeer) Arioso 17833 Edison 2-min cylinders, Paris 1906

Samson et Dalila (Saint-Saëns) Mon coeur s'ouvre 17822 Edison 2-min cylinders, Paris 1906

Samson et Dalila (Saint-Saëns) Mon coeur s'ouvre 97028 xP4298 Odeon, Paris 1908-06

Trovatore (Verdi) La flamme brille 60720 xP3938 Odeon, Paris 1908


FRENCH MEZZO-SOPRANO BLANCHE DESCHAMPS-JÉHIN (1857-1923) CDR

CROATIAN MEZZO-SOPRANO ANKA HORVAT (1884-1948) CDR

 



ANKA HORVAT (KAŠTEL NEAR ZLATAR, JUNE 21, 1884 – ZAGREB, JULY 10, 1948)

 

 

 

 

She was trained by the pedagogue Leonija Brückl in Zagreb and later studied under Philipp Forstén in Vienna. She made her debut in 1904 at the Croatian National Theatre in Zagreb as Carmen and remained there until 1914. From 1914 to 1917, she was engaged as the first contralto at the Hofoper in Dresden, where she sang the role of Kundry in the Dresden premiere of Parsifal in 1914. Among her notable roles were Azucena in Il Trovatore, Carmen, Charlotte in Werther, Ulrica in Un ballo in maschera, Amneris in Aida, and Brangäne in Tristan und Isolde.

In 1918, she appeared as a guest at the Hofoper in Vienna. In 1920, she performed in Munich (Staatsoper), Berlin, and Leipzig. She later returned to her native country, continued to sing at the Croatian National Theatre in Zagreb, and gave concerts. After her marriage, she apparently also performed under the name Anka Horvat-Gottlieb.

 

Chronology of some appearances

 

1904-1914 Zagreb Croatian National Theatre 

1914-1917 Dresden Hofoper

1918 Vienna Hofoper

1920 Munich Staatsoper

 

TRACKLIST

 

  

Blago blago, duet, narodna pjesma (w. Vulaković) Odeon 21187 35662, xag. 111

Kad ja mlidija umrieti (Hatze) Odeon 21185 35666, xag. 120

Trovatore (Verdi) Die Mutter spricht mit Dir (w. Pattiera) Odeon Rxx 80807 xxB 6318

Trovatore (Verdi) In unsere Heimat (w. Pattiera) Odeon Rxx 80806 xxB 6316

Trovatore (Verdi) Lodernde Flammen Odeon Rxx 80809 B 6304

Vir (Zajc) Odeon 21186 35667, xag. 121

Zrinjski (Zajc) Duet (w. Vulaković) Odeon 21188 35663, xag. 112


CROATIAN MEZZO-SOPRANO ANKA HORVAT (1884-1948) CDR

ITALIAN TENOR AGOSTINO CASAVECCHI (1900-1989) CDR

 



AGOSTINO CASAVECCHI (28 APRIL, 1900 - 1989)

 

 

 

He began his career during the 1920s and achieved his first major success in 1929, when he sang the role of Pinkerton in Madama Butterfly at the Teatro Massimo in Palermo, performing alongside the Japanese soprano Nobuko Hara. In the following years, he appeared primarily in provincial Italian theaters in various roles.

In 1937, he made guest appearances at the Italian Opera House in Holland, where he performed in La Bohème, Rigoletto, Il Barbiere di Siviglia, and took part in the premiere of Lattuada’s opera Le Preziose ridicole.

In the 1941–42 season, he sang at La Scala, where he appeared as Cassio in Otello and as Leukippos in the Italian premiere of Richard Strauss’s Daphne. He also took part in the premiere of Carl Orff’s Carmina Burana.

After the Second World War, he performed in French theaters, including the opera houses of Toulouse, Bordeaux, and Marseille, as well as at the Opéra de Wallonie in Liège.

 

Chronology of some appearances

 

1928 Messina Teatro Mastroieni Rigoletto (Duca)

1929 Torino Teatro Alfieri Rigoletto (Duca)

1929 Catania Anfiteatro Ganci Rigoletto (Duca)

1929 Palermo Teatro Nazionale Madama Butterfly (Pinkerton)

1929 Padova Teatro Garibaldi Madama Butterfly (Pinkerton)

1929 Pisa Teatro Verdi Rigoletto (Duca)

1930 Catania Arena Balilla Puritani (Arturo)

1931 Rimini Teatro Vittorio Emanuele Madama Butterfly (Pinkerton)

1931 Ferrara Teatro Apollo Puritani (Arturo)

1932 Il Cairo Teatro Kedivhiale Madama Butterfly (Pinkerton)

1933 Parma Teatro Regio Mignon (Guglielmo)

1941 Catania Teatro Bellini Don Pasquale (Ernesto)


 

TRACKLIST

 

 

Barbiere di Siviglia (Rossini) All'idea di quel metallo... Numero quindici (w. Weinberg) S10165 S10165 CM1272 CM1273 HMV, Milano 1929-11-28

Barbiere di Siviglia (Rossini) Ecco ridente in cielo 102-654 CM1279-1 HMV HMV, Milano 29-11-29

Canto notturno (Bixio-Avitabile-Cherubini) HN705 OBA188 HMV

Manon (Massenet) Manon Certo amai, part 1... Deh parla ancor, part 2 (w. Morini) 102-674 S10208 CM1514-2, 102-675 S10208 CM1516-2

Parlami d'amore Mariu' (Neri-Bixio) R11070 100-2182 Disco Grammofono


ITALIAN TENOR AGOSTINO CASAVECCHI (1900-1989) CDR

Jul 18, 2025

GERMAN TENOR PETER UNKEL (1880-1942) CDR

 



PETER UNKEL (COLOGNE, 1880 – BERLIN, 1942)

 

 

 

In 1912, he made his debut at the Municipal Theatre in Aachen as Siegmund in Die Walküre and remained there until 1914. During the 1916–1918 seasons, he was a member of the Berlin Court Opera. From 1918 to 1924, he sang at the State Theatre in Brunswick, and then until 1928 at the Opera House in Wrocław. After 1928, he continued to give occasional guest performances.
His repertoire included roles such as Siegmund, Lohengrin, Walther von Stolzing in Die Meistersinger von Nürnberg, Samson in Saint-Saëns’ Samson et Dalila, Verdi’s Otello, as well as Tamino in Die Zauberflöte, the Duke in Rigoletto, and Florestan in Fidelio.

 

Chronology of some appearances

 

1912-1914 Aachen Municipal Theatre

1916-1918 Berlin Court Opera

1918-1924 Brunswick State Theatre

1924-1928 Wroclaw Opera House

 

TRACKLIST

 

 

Peter Unkel made 4 recordings for Gramophone

Lohengrin (Wagner) Höchstes Vertrauen 0942013 1155s Gramophone, Berlin 1913-08-27

Meistersinger von Nürnberg (Wagner) Am stillen Herd 942547 12861r Gramophone, Berlin 1913-08-27

Meistersinger von Nürnberg (Wagner) Morgenlich leuchtend 0942012 1154½s Gramophone, Berlin 1913-08-27

Walküre (Wagner) Liebeslied (Winterstürme) 942546 12862r Gramophone, Berlin 1913-08-27


GERMAN TENOR PETER UNKEL (1880-1942) CDR

GERMAN TENOR HANS SCHLITZER (1869-1945) CDR

 



HANS SCHLITZER (COLOGNE, 1869 – HAMBURG, 1945)

 

 

 

He probably made his debut in 1893 at the Municipal Theatre in Lübeck, and sang during the 1894–96 seasons at the Municipal Theatre in Essen. He then appeared as a guest during the 1896–98 seasons at the Municipal Theatre in Zurich and in 1898–99 at the Opera House in Cologne. From 1899 to 1904, he was a member of the Municipal Theatre in Strasbourg, followed by the 1905–06 season at the Opera House of Leipzig, from 1906 to 1908 at the Municipal Theatre of Hamburg, and in the 1908–09 season at the Municipal Theatre of Magdeburg.

He made guest appearances at the Court Operas of Munich, Stuttgart, Karlsruhe, and Gotha, as well as at the Opera Houses of Frankfurt a. M., Wroclaw, and Riga, and at the Municipal Theatre of Bern, Switzerland.

At the beginning of his career, he sang lyric tenor roles such as Lyonel in Flotow’s Martha, Faust in Gounod’s Faust, and Edgardo in Lucia di Lammermoor. Later, he took on more dramatic parts including Don José in Carmen, Vasco da Gama in Meyerbeer’s L’Africaine, the title role in Massenet’s Werther, Radamès in Aida, Tannhäuser, and Walther von Stolzing in Die Meistersinger von Nürnberg.

He later settled in Hamburg, where, after the First World War, he worked as a pedagogue at the Bernuth Conservatory.

 

Chronology of some appearances

 

1893 Lübeck Municipal Theatre

1894-1896 Essen Municipal Theatre

1896-1898 Zurich Municipal Theatre

1898-1899 Cologne Opera House

1899-1904 Strasbourg Municipal Theatre

1905-1906 Leipzig Opera House

1906-1908 Hamburg Municipal Theatre

1908-1909 Magdeburg Municipal Theatre

 

TRACKLIST 

 

Star Record

Lohengrin (Wagner): Höchstes vertrauen 3023

 

Beka

Lohengrin (Wagner): Schwanenlied 11255

Lohengrin (Wagner): Gralserzählung 11254



Edison 2-min cylinders, Berlin 1908-02?

Freischütz (Weber): Durch die Wälder 12382


GERMAN TENOR HANS SCHLITZER (1869-1945) CDR

GERMAN TENOR WALTER GÜNTHER-BRAUN (1874-1947) CDR

 



WALTER GÜNTHER-BRAUN (27 DECEMBER, 1874 – WEIMAR, 28 OCTOBER, 1947)

 

 

 

 

He studied with Törsleff in Leipzig, Eugene Wolff in Frankfurt am Main, Alfieri in Berlin, and Felix von Kraus in Munich. He began his stage career during the 1896–97 season at the Municipal Theatre of Cottbus and then sang successfully—primarily as an operetta tenor—at the theatres of Wiener Neustadt (1897–98), Salzburg (1898–99), Innsbruck (1899–1900), and at Carl Schultze’s Theatre in Hamburg (1900–01).

He then focused exclusively on opera, achieving considerable success. From 1901 to 1903, he was engaged at the Municipal Theatre of Mainz, followed by engagements at the Municipal Theatre of Graz (1903–06), the Stadttheater of Wroclaw (1906–09), and the Munich Court Opera (1909–12). From 1912 to 1920, he was a member of the ensemble at the Mannheim Court Theatre, and from 1920 to 1927, he sang at the Municipal Theatre of Dortmund.

Beginning in 1905, he also made several guest appearances at the Dresden Court Opera. In 1918, he sang the role of Haldor in the premiere of Paul von Klenau’s opera Kjartan und Gudrun in Mannheim.

He was especially noted for his performances in the dramatic Wagnerian repertoire, singing roles such as Erik in Der fliegende Holländer, Tannhäuser, Walther von Stolzing in Die Meistersinger von Nürnberg, and Tristan. His repertoire also included Florestan in Fidelio, Hüon in Weber’s Oberon, Eleazar in Halévy’s La Juive, Samson in Saint-Saëns’s Samson et Dalila, Don José in Carmen, and Canio in Pagliacci.

In 1908, he made a few recordings for the Gramophone Company in Breslau.

 

Chronology of some appearances

 

1896-1897 Cottbus Municipal Theatre

1897-1898 Wiener Neustadt 

1898-1899 Salzburg  Opera House

1899-1900 Innsbruck Opera House

1900-1901 Hamburg Carl-Schultze's Theatre

1901-1903 Mainz Municipal Theatre

1903-1906 Graz Municipal Theatre

1906-1909 Wroclaw Stadttheater

1909-1912 Munich Court Opera

1912-1920 Mannheim Court Theatre

1920-1927 Dortmund Municipal Theatre  

 

TRACKLIST



Walter Günther-Braun made 5 recordings for Gramophone

Carmen (Bizet) Blumenarie 4-42066 12447u Gramophone, Breslau 1908

Der Evangelimann (Kienzl) Selig sind, die Verfolgung leiden 4-42067 12448u Gramophone, Breslau 1908

Meistersinger von Nürnberg (Wagner) Am stillen Herd 4-42064 Gramophone, Breslau 1908

Meistersinger von Nürnberg) Morgenlich leuchtend 4-42065 Gramophone, Breslau 1908


GERMAN TENOR WALTER GÜNTHER-BRAUN (1874-1947) CDR

FRENCH SOPRANO ZINA BROZIA (1876-1958) CDR

 



ZINA BROZIA (AMBROZINE BAPTISTE) (BOURG-LÈS-VALENCE, 29 JUNE, 1876 – PARIS, 13 FEBRUARY, 1958)

 

 

 

 

Born on 29 June 1876 in Bourg-lès-Valence in south-eastern France, Ambrozine Baptiste was the daughter of Joseph Baptiste, a glazer, and Irma Chopin. (She later adopted the stage name of Zina Brozia, an anagram of Ambrozine.) She was the youngest of three sisters and one brother. She studied under the Romanian soprano Elena Theodorini. After an initial début as Marguerite in Faust at the Théâtre de la Monnaie in Brussels (1904–1905), on 13 September 1905, she made her Paris début at the Opéra Comique, playing Violetta in Verdi’s La Traviata. Still at the Opéra Comique, on 27 March 1906, she created the role of Séso in the première of Camille Erlanger’s Aphrodite. In 1907, she performed at the Opéra de Monte-Carlo, first as Elena in Arrigo Boito’s Mefistofele, then as Élisabeth in Verdi’s Don Carlos.

In 1908, she was active both at the Teatro Regio in Parma, as Cio-Cio-San in Madam Butterfly and in the title role of Manon, and in the Opéra Garnier in Paris, as Gilda in Rigoletto and in the title role of Thaïs. At the Garnier, she went on to perform Ophelia in Ambroise Thomas’s Hamlet and Merguerite in Faust (1909). In September 1911, she played the role of Salome in Hérodiade at the Théâtre de la Gaîté.

In December 1911, she went to Boston where she appeared at the Boston Opera in various roles over the next few months, including Thaïs, Marguerite, Mimi, and Manon. By 1914, she had returned to Paris where she created Messaline in Henri Hirschmann’s La danseuse de Tanagra at the Théâtre de la Gaîté.

Zina Brozia died in Paris on 13 February 1958.

 

Chronology of her appearances

 

1905 Paris Opéra Comique Traviata (Violetta)

1905 Orange Théâtre Antique Mefistofele (Elena)

1906 Paris Opéra Comique Aphrodite (Séso) by Camille Erlanger (World Premiere)

1907 Opéra Monte-Carlo Mefistofele (Elena)

1907 Opéra Monte-Carlo Don Carlos (Elisabeth)

1908 Parma Teatro Regio Madama Butterfly (Cio-Cio-San)

1908 Parma Teatro Regio Manon (Manon)

1909 Parma Teatro Regio Manon (Manon)

1908 Paris Palais Garnier Rigoletto (Gilda)

1909 Paris Palais Garnier Hamlet (Ophelia)

1909 Paris Palais Garnier Faust (Marguerite)

1911 Paris Théâtre de Gaité Herodiade (Salome)

1914 Paris Théâtre de Gaité Panurge (Ribaude)

 

 

TRACKLIST

 

 

Zina Brozia made 4 recordings (Columbia, 1912)

Faust (Gounod) Jewel song A-1242 19761 Columbia, New York 1912-02

Hérodiade (Massenet) Il est doux, il est bon A5417 30964-1 Columbia, New York 1912-02

Madama Butterfly (Puccini) Ancora un passo A5417 30966-1 Columbia, New York 1912-02

Thais (Thomas) L’amour est une vertu A-1242 19762 Columbia, New York 1912-02


FRENCH SOPRANO ZINA BROZIA (1876-1958) CDR