He began his education in Toulouse then tudied at the Paris
Conservatoryunder Revial, Couderc and Duvernoy. He made his debut in 1867 at
the Paris Opéra-Comique as a Falstaff in ‘’Le Songe d'une nuit d'été’’ of A. Thomas.
In 1872 he came to the Grand Opéra in Paris
(beginning role: Mephisto in ‘’Faust’’ of Gounod); here his career reached the climax. Here
he appeared in 17 opera premieres (among other things in 1882 at the Grand
Opéra in ‘’Francoise de Rimini’’ of A. Thomas, in 1876 in ‘’Jeanne d'Arc’’ of
A. Mermet, in 1878 in ‘’La pure Berthe’’ of V. Joncières). He was very
successful in parts like the Leporello in ‘’Don Giovanni’’, Kaspar in ‘’Freischütz’’,
Hamlet in the opera of the same name of A.Thomas, Pythéas in ‘’Sapho’’ of
Gounod, Saint-Bris in ‘’Huguenots’’of Meyerbeer, Mephisto in ‘’Faust’’ of
Gounod. He guested in Russia
and from 1879-83 sang also at the Italian opera house in London , here among other things as Mephisto
in ‘’Faust’’ of Gounod. In 1884 he was appointed manager of the Opera, a position he held jointly with Jean Eugene Ritt (1884–91) and then with Eug¨ne Bertrand (1893–9); on Bertrand's death in 1899 he became sole manager (until 1906). His regime was perhaps most distinguished for its excellent Wagner productions. He made only four recordings for Fonotipia. All are very rare.
Chronology of some appearances
1867 Paris Opéra-Comique
1872 Paris Grand Opéra
RECORDING FOR SALE
La
Paloma (Yradier) 39092 XPh516
Africaine (Meyerbeer): Holа!, matelots 39093 XPh517
Africaine (Meyerbeer): Holа!, matelots 39093 XPh517
Fonotipia, Paris 1905
Faust (Gounod): Vous qui faites l'endormie 39229 XPh602
Faust (Gounod): Vous qui faites l'endormie 39229 XPh602
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