He was the son of Rafaelo and Rosa (Umscheid)
Díaz. He was baptized Francisco Rafael Díaz but as an adult changed his name to
Rafaelo Díaz. He received his early schooling at the German-English School in
San Antonio and the West Texas Military Academy.qqv He showed musical talent at
an early age and began his career as a pianist under the guidance of one of San
Antonio's pioneer music teachers, Miss Amalia Hander. After his promising voice
was discovered while he was studying at the Stern Conservatory in Berlin , Díaz went to Italy to study under famous Italian
maestro Vincenzo Sabatini. He returned to America and made his debut in the
Boston Opera Company's production of Giuseppe Verdi's ''Otello''. In 1917 he joined
the Metropolitan Opera Company and performed leading tenor roles in Jules
Massenet's ''Thaïs'' and Nikolai Rimski-Korsakov's ''Le Coq d'Or''. His stage presence
and magnetic personality, along with his fine lyric tenor voice, kept him with
the Metropolitan until 1936. He then toured the country with the Scotti Opera
Company, making several stops in San
Antonio along the way. In his spare time he made
records for a leading phonograph company. He also conducted a series of
concerts at the Waldorf-Astoria. Critics praised Díaz for his smooth
performance, the depth and richness of his voice, the clarity of his
enunciation, and the beauty of his phrasing. He sang in English, French,
Spanish, Italian, and German, and was known as the "Lone Star Tenor of the
Lone Star State ."
He never married.
tshaonline.org
Chronology of some appearances
1917-1936 New York Metropolitan Opera
RECORDINGS FOR SALE
Columbia, New York 1925-08-14
Manon (Massenet): Instant charmant... En fermant les yeux 5049-M W98193
Carmen (Bizet): La fleur que tu m'avais jetée 5049-M W98184
My grandmother was a friend of Diaz in Berlin where they were both enrolled in the Stern conservatory. Both were studying piano. My mother Elizabeth was a baby at that time. My grandmother was Rosa Lee Gideon.
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