She studied in Brno
and Prague ,
made her début at Olmütz in 1910 (a Elsa), then joined the Vienna Volskoper,
and in 1912 appeared at the Hofoper. She quickly became an immense favorite in Vienna , where she sang
regularly for over two decades. She was an especially admired Tosca, Minnie and
Turandot. Among her many Strauss roles she was the first Ariadne in both
versions of Ariadne auf Naxos (Stuttgart in 1912 and Vienna in 1919), and the
first Empress in Die Frau ohne Schatten (Vienna ,
1919). Having sung Marietta in the first Vienna performance of
Korngold’s Di tote Stadt in 1921, she repeated this role for her Metropolitan
début later that year. Of greater musical significance was her Jenufa in both
the first Viennese (1918) and first New
York (1924) performances of Janacek’s masterpiece. During
the next 12 years she became recognized as the Metropolitan’s most glamorous
and beautiful star since the days of Geraldine Farrar, and appropriately
introduced to New York both Puccini’s Turandot
and Strauss’s Die ägyptische Helena .
Her Covent Garden performances were confined
to seven roles during 1925 and 1926, whereas at the Metropolitan she sang 290
performances in 20 roles. After World War II she made isolated appearances in Vienna and New York .
Though endowed with an ample and lustrous voice, Jeritza belonged to the
category of artist known as a ‘singing actress’, freely yielding both
dramatically and vocally to impulses that were sometimes more flamboyant than
refined. In her numerous records, faults of taste and technique co-exist with
genuine vocal achievement.
Chronology of some appearances
Elsa von Brabant 12/27/1921, Floria Tosca
2/28/1922, Marietta / Die Erscheinung Maries 3/28/1922, Octavian 12/5/1922,
Thaïs 2/20/1923, 11/13/1923, La principessa Fedora Romazov 12/18/1923,
11/25/1924, Jenufa 12/16/1924, Floria Tosca 11/24/1925, Thaïs 12/29/1925,
Maliella 1/19/1926, Floria Tosca 11/2/1926, La principessa Turandot 11/30/1926,
Elsa von Brabant 2/1/1927, Violanta 11/15/1927, Santuzza 12/20/1927, Carmen
1/24/1928, Helena 11/13/1928, Elisabeth 1/8/1929, Minnie Falconer 11/19/1929,
La principessa Turandot 12/10/1929, Floria Tosca 2/4/1930, Minnie Falconer
11/4/1930, Senta 12/2/1930, Giovanni Boccaccio 1/6/1931, Floria Tosca
1/20/1931, 11/17/1931, Senta 12/15/1931, René Dufaure 1/5/1932 (Filadelfia)
RECORDINGS FOR SALE
Pathé, Wien 1908?
Trovatore (Verdi): Befreit, o welche Seligkeit with Hans Melms 38656
Lohengrin (Wagner): Euch Lüften 38650
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