She was a leading European soprano of the early
20th. century. Born Mary Mathilda Mignon Amina Palmer, she was the child of
legendary coloratura Emma Nevada, and received her given name from the opera
"Mignon" by her godfather Ambrose Thomas. Trained as a coloratura by
her mother, which some considered a mistake, she made her February 1908
operatic debut at the Teatro Costanzi, Rome ,
as Rosina in Rossini's "The Barber of Seville". Mignon was first
heard at Covent Garden, London ,
in 1910 as Desdemona in Giuseppe Verdi's "Otello" under the baton of
Sir Thomas Beecham, who both considered her his favourite Ophelia in Thomas'
"Hamlet" and thought that she should have been a mezzo soprano. She
had notable success in London
up to 1922 as the doll Olympia of Jacques Offenbach's "The Tales of
Hoffman", the tragic title heroine of Donizetti's "Lucia di
Lammermoor", Marguerite in Charles Gounod's "Faust", the doomed
Gilda in Verdi's "Rigoletto", and Zerlina from Mozart's "Don
Giovanni". Her Opera-Comique, Paris ,
bow came in 1920 as the title lead of Leo Delibes' "Lakme" and she
was also seen there as Mimi from Puccin's "La Boheme". Mignon first
appeared at La Scala Milano in 1923 and at the Paris Opera in 1932. In her
later years she was, as had been her mother, a respected voice teacher. Her
recorded legacy consisting of a single recording of a Thomas song cut in 1938
has been preserved.
Chronology of some appearances
1908 Rome Teatro Costanzi Barbiere di Siviglia (Rosina)
1910 London Covent Garden Otello (Desdemona)
1920 Paris Opera-Comique Lakme (Lakme)
1923 Milan La Scala ? (-)
RECORDINGS FOR SALE
International Record Collectors Club (
Esmeralda -
Polacca 3139
Unpublished Electric Voix de Son Maitre Paris , 1931
Faust (Gounod):
Ah, je ris de me voir Test Pressing (mtx. OK-93-1)
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