Don Jose
Canio
His real
name was Gustav Harald Lindau. He studied in Italy
and adopting the stage name Aroldo Lindi made his debut in 1923 at the
Teatro Dal Verme in Milan .
In 1925 he sang at the Teatro Regio in Parma , in
1926 at the Teatro Carlo Felice in Genoa
as Radames in ‘’Aida’’, his star role. He also appeared at the Teatro Costanzi
in Rome and in 1925 and 1929 guested at Covent
Garden in London .
At the Chicago Opera he performed in the 1926-27 season in ‘’Aida’’,
‘’Cavalleria rusticana’’ and ‘’Il Trovatore’’. In that time he sang also in San
Francisco Opera as Manrico in ‘’Il Trovatore’’. Lindi made guest apperances
also in Venice (Teatro La Fenice), Barcelona (Teatro Liceo), Monte Carlo ,
Cairo , Stockholm and
Paris where at
the Grand Opéra he appeared in 1930 as Radames in ‘’Aida’’. He later was the
star tenor touring with the Fortune Gallo's San Carlo Opera Company during the
1930s until his death. Lindi died in 1944 at age 55 on stage in San Francisco's
War Memorial Opera House, during a performance of ‘’Pagliacci’’, singing Vesti la giubba.
"Aroldo
Lindi was a great dramatic tenor, with a resounding B flat, and could sing
anybody under the table. He was terrific. We were on tour in Canada and he
had a heart attack in Winnepeg. The company went on to Portland , where he did a Carmen with me
there. That was his first since his heart attack. He sang a beautiful
performance. On to San Francisco ,
he was to do Pagliacci that night. He called me the night before and said '
Coe, could you please go up into the audience and let me know how my voice
sounds,' I did and then went backstage as he was beginning the aria. From a
chair in the wings, I heard Lindi doing the Ridi Pagliacci, 'in..fronto'... he
was holding that note and I thought he was trying some new business. And the
poor man, he wasn’t, he was dying. And he was holding that note. In
desparation, I ran up on stage. I saw his knees buckle, and I went on stage in
my fur cape and gardenias, and by then, somebody had begun to ring down the
curtain. As he sang this aria, the note was being held, until he died, right in
my arms. I'll never forget the expression on his face, when his soul left his
body. He turned back forty years, a young man of twenty. It was unbelieveable.
Very chilling, very chilling. A beautiful death for a singer...singing his
favorite aria...holding his favorite note. " Coe Glade, mezzo-s., during VRCS interview, Chicago .
Chronology
of some appearances
Aida (Radamès) 10/16/1930
Pagliacci (Canio) 10/30/1930,
3/10/1932
Carmen (Don José) 4/7/1932
Aida (Radamès) 4/14/1932
Pagliacci (Canio) 8/7/1933,
8/20/1933
Carmen (Don José) 8/23/1933
Aida (Radamès) 8/26/1933
Pagliacci (Canio) 8/30/1933
La Forza del destino (Don Alvaro)
8/31/1933
Pagliacci (Canio) 9/6/1933
Il Trovatore (Manrico) 9/8/1933,
7/27/1935
Aida (Radamès) 1/29/1941
Il Trovatore (Manrico) 2/1/1941
RECORDINGS FOR SALE
Aida
(Verdi): Celeste Aida D1519 B479
Carmen
(Bizet): Il fior D12463 B484
Tosca
(Puccini): E lucevan le stelle B486 D1518
Pagliacci
(Leoncavallo): Vesti la giubba D12707 B494
Forza del
destino (Verdi): O tu che in seno B496 D1519
Otello
(Verdi): Ora e per sempre addio 52803-D BX 199
Carmen
(Bizet): Il fior L1816 WAX1682
Tosca
(Puccini): E lucevan le stelle 185-M WA3485
Tosca
(Puccini): Recondita armonia 185-M WA3486
Trovatore
(Verdi): Ah, si ben mio 52804-D BX198
Pagliacci
(Leoncavallo): No, Pagliaccio non son D12568 WB1704
Trovatore
(Verdi): Di quella pira D12568 WB1710
Africana
(Meyerbeer): O paradiso GQX10235 BX201
Otello
(Verdi): Dio! Mi potevi scagliar 7118-M BX202
Otello
(Verdi): Niun mi tema BX200 52804-D
Andrea
Chenier (Giordano): Colpito qui m'avete GQ7083 WB1751
Andrea
Chenier (Giordano): E volli pien d'amore pregar GQ7083 WB1752
Andrea
Chenier (Giordano): Si, fui soldato GQ7139 WB2003
Fanciulla
del West (Puccini): Or son sei mesi GQ7123 WB2661
Fanciulla del West (Puccini): Ch'ella mi creda GQ7123 WB2658
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