She was trained in Florence
and Milan and made her debut in 1921 at the
Teatro Dal Verme of Milan
as Nedda in ‘’Pagliacci’’. In the same year she sang at the Teatro della
pergola of Florence .
After her successful appearance in 1922 as Nannetta in Verdi’s ‘’Falstaff’’ at
the Teatro Regio of Parma ,
she was engaged by Teatro La Scala to perform in the same opera under the
direction of Arturo Toscanini. Since then she had at La Scala successful career
(1923-26 and 1938-40); she sang there among other things the role of Pamina in
the ‘’Magic flute’’. In 1929 she guested with the ensemble of La Scala in Berlin . In 1928 she appeared
at the Teatro Colón of Buenos Aires as Mimi in ‘’La
Boheme’’, in 1935 at the Grand Opéra, Paris
(again as Nannetta in ‘’Falstaff’’ of Verdi). She achieved her great success in
the leading Italian opera theatres. She specialized, primarily, in Mozart's
parts and in the classical Belcanto repertoire for coloratura soprano and,
besides, counted as an excellent actress. After the last season at the Teatro
Fenice in Venice
she retired from the stage in 1942, however, appeared still as a concert
soprano. Then she worked as a professor at the Accademia Chigiana in Siena and later at the conservatory of Tel Aviv in Israel .
Chronology of some appearances
1922 Cagliari Politeama Regina Margherita
Mefistofele (Margherita)
1924 Firenze Teatro
Della Pergola Cvarmen (Micaela)
1926 Verona Teatro Nuovo Tosca (Tosca)
1927
Macerata Teatro Lauro Rossi Lohengrin
(Elsa)
1929 Bergamo Teatro Donizetti Lohengrin (Elsa)
1931
Lisbona Coliseo Recrejos Madama Butterfly (Cio-Cio-San)
1931
Lisbona Coliseo Recrejos Tosca (Tosca)
1933
Roma Teatro Argentina Tosca (Tosca)
1935 Napoli
Teatro San Carlo Mefistofele (Margherita)
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