She was a Russian
lyric coloratura soprano. An outstanding opera singer, she represented the
Russian vocal school at its best.
Nezhdanova was born
in Kryva Balka, near Odessa ,
Ukraine , then
in Russian Empire. In 1899, she entered the Moscow Conservatory. Upon her
graduation three years later she joined the Bolshoi Theatre, rapidly becoming
its leading soprano. She sang often, too, at the Mariinsky Theatre in St Petersburg and also in Kiev
and Odessa . Paris heard her in 1912,
when she appeared opposite the great tenor Enrico Caruso and Caruso's baritone
equivalent, Titta Ruffo.
Nezhdanova was the
dedicatee of Sergei Rachmaninoff's Vocalise, and she was the first performer of
the arrangement for soprano and orchestra, with the composer conducting. She
created a number of operatic roles. After the 1917 Russian Revolution she
stayed on at the Bolshoi, unlike some of her fellow opera singers, who left
their native country for the West. In 1936, she began to teach singing in Moscow and was appointed
a professor at the city's conservatory in 1943.
She was married to
the conductor Nikolai Golovanov and died in Moscow in 1950.
Nezhdanova made a
number of recordings that display the beauty and flexibility of her voice and
the excellence of her technique. She is considered by opera historians and
critics to have been one of the finest sopranos of the 20th century.
http://en.wikipedia.org/wiki/Antonina_Nezhdanova
RECORDINGS FOR SALE
Gramophone -6-06,
Faust (Gounod): Ah! je
ris de me voir si belle en ce miroir 2-23092 1197r
Pecheurs de Perles (Bizet): Comme autrefois 2-23074
1183r
Dobrynja Nikitich (Grechaninov): Zabava's aria 2-23076
1185r
Romeo et Juliette (Gounod): Je veux vivre dans
ce reve 2-23078 1195r
Gramophone, Moscow -07 (flute S G Petrov)
Perle du Bresil (David): Charmant oiseau flute 2-23129
2708r
Ruslan and Ljudmila (Glinka): Ah, thou my fate 2-23131
2710r
Harold (Napravnik): Hush thee, dear one,
slumber well 2-23130 2709r
Serenade ("Sing, smile, slumber")
(Gounod) 2-23132 2711r
Gramophone, Moscow -07 (P. Umberto Masetti)
Sadko (Rimsky- Korsakov): Sleep went along the
river (Cradle song) 2-23138 2717r
Life for the Tsar (Glinka): It is not for that that I grieve 2-23140 2718r
Pecheurs de Perles (Bizet): Brahma, grand Dieu 2-23141
2719r
Bolero (Cui) ("O my dear, charming
one") 2-23142 2720r
Gramophone, Moscow -08 (o I P Arkadev)
The Snow Maiden (Rimsky-Korsakov): With friends
to gather berries (Rimsky- Korsakov) 2-23315 7216L
Huguenots (Meyerbeer): Aria 2-23317 7219L
Mireille (Gounod): O legere hirondelle 2-23322
7224L
Gramophone, Moscow 27-1-10
Fra Diavolo (Auber): Quel bonheur! 023054 1928c
Gramophone, Moscow 28-1-10
The Golden Cockerel (Rimsky-Korsakov): Hail to
thee, Sun! 2-23483 14171b
Gramophone, Moscow 17-4-12
The Tsar's Bride: Look there, above your head 2-23667
16402b
Gramophone, Moscow 24-4-12
Traviata: Ah, fors' e lui . . .Follie, follie .
. .Sempre libera 2-23668 16458b
Gramophone, Moscow 19-4-13
Barbiere di Siviglia (Rossini): Una voce poco
fa 023125 2795½c
Serenata (Tosti) 023125 2795½c
Gramophone, Moscow 14-4-14
Vespri Siciliani (Verdi): Merce, dilette 023157
323½af
How fair this spot (Rimsky-Korsakov), op 21 n°
7 (Rachmaninov) and The rose and the nightingale, op 2 n° 2 023159 325af
It's a pity that we cannot hear her singing Rachmaninoff's famous Vocalise.
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