She studied under Engel in Paris and made her debut in 1919 at the Opéra-Comique in Paris. For more than twenty years she remained a member of this opera house and had her most important success in dramatic repertoire. At the Opéra-Comique she appeared in several operatic premieres: ‘’Lorenzaccio’’ of Ernest Moret (19. 5. 1920), ‘’L'Appel de la Mer’’ by Henri Rabaud (10. 4. 1924), ‘’Le pauvre matelot’’ of Darius Milhaud (16. 12. 1927), ‘’Le Peau de Chagrin’’ by Charles Lavadé (24. 4. 1929). In 1939 still there she appeared as the first dramatic soprano. Her repertoire included Santuzza in ‘’Cavalleria Rusticana’’, Charlotte in ‘’Werther’’ of J. Massenet, Carmen, Margared in ‘’Le Roi d'Ys’’ of E. Lalo and Tosca. Later she taught singing in Paris.
Chronology of some
appearances
1919-1939 Paris Opéra-Comique
RECORDINGS FOR SALE
Pathé, Paris 1926 - 1931
Tosca (Puccini): D'art et d'amour 0667 N201425-1-R
Roi d'Ys (Lalo): Air de Margared 7150 N201291-1
Cavalleria Rusticana (Mascagni): Romance de Santuzza 7150 N201290-1
Thérèse (Massenet): Jour de juin 3411 N201971-A-1
Carmen (Bizet): Habanera 7133
Marche Lorraine (Ganne) 3454 N202410
Roi d'Ys (Lalo): Margared, ô ma soeur with Vallin 7233
Roi d'Ys (Lalo): En silence, pourquoi souffrir with Vallin 7233
Contes d'Hoffmann (Offenbach): Barcarolle with Vallin 2622
Pathé, Paris 1932-07
Fille de Mme Angot (Lecocq): Jours fortunés with Ninon Vallin X90058 250286-MC1
Pathé, Paris 1932?
Bohème (Puccini): Quatuor, act 3 with Vallin, Villabella & Baugé X90056 N250274
Fille de Mme Angot (Lecocq): Jours fortunés with Ninon Vallin X90058 250286-MC1
Pathé, Paris 1932?
Bohème (Puccini): Quatuor, act 3 with Vallin, Villabella & Baugé X90056 N250274
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