He studied at the
Vienna Academy of Music and made his debut in 1910 at the Municipal Theater of
Opava, where he performed until 1913, in the 1913-1914 season he was engaged by
the Municipal Theater of Teplice-Schönau. In 1914 he became a member of the Vienna
Court Opera. He remained a principal baritone of this opera house until the end
of his stage career (1940). In Vienna, Hans Duhan gained great popularity, as
well as at the Salzburg Festival, where he repeatedly appeared in Mozart roles.
In 1922 he sang the part of Don Giovanni at the Salzburg Festival. In 1922 and
1927 he appeared there as Count in ‘’Figaros Hochzeit’’, in 1928 as Papageno in
‘’Zauberflöte’’. Until 1937 he gave recitals there, which were highly
appreciated by festival audiences. On 4. 10. 1916 he appeared in Vienna in the
premiere of the revision of the Richard Strauss’s opera ‘’Ariadne auf Naxos’’,
in 1934 in the world premiere of F. Lehár's operetta ‘’Giuditta’’ (20. 1.
1934). He guested in Amsterdam in 1922 (and again in 1924 in a guest
performance by the ensemble of the Vienna State Opera with ‘’Ariadne auf
Naxos’’). His repertoire included King Solomon in ‘’Königin von Saba’’,
Amfortas in ‘’Parsifal’’, Frank in ‘’Toten Stadt’’, Scarpia in ‘’Tosca’’ and
Escamillo in ‘’Carmen’’. In 1930 he created the song cycle ‘’Reisetagebuch aus
den österreichischen Alpen’’ by Ernst Krenek. In 1938 he sang in Vienna in the
world premiere of the oratorio ‘’Das Buch mit sieben Siegeln’’ by Franz
Schmidt. Since 1932 he was appointed as a professor of the Vienna Music
Academy. He also worked as director and conductor at the Vienna State Opera. He
also composed several vocal works.
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