Her real name was
Germaine Pointu. At first, she wanted to become a pianist, but then she studied
voice at the National Conservatory in Paris with the teachers Albers und Engel.
She made her debut in 1925 at the Paris Grand Opéra as Euryclée in ‘’Pénélope’’
by Gabriel Fauré. In 1927 she came to the Opéra-Comique in Paris, where she
first sang smaller roles, then roles like Charlotte in ‘’Werther’’, Carmen,
Mignon, and Geneviève in ‘’Pelléas et Mélisande’’. In 1930 at that house she
took part in the world premiere of the opera ‘’Le Sicilien’’ by Omer Letorey.
She had important successes at the Théâtre de la Monnaie in Brussels and on
French provincial stages. She gave guest performances in North Africa, in
Switzerland, in England, Ireland and Italy, where she appeared in the 1939
Florence May Festival as Florenz in Ravel's ‘’L'Enfant et les sortilèges’’. In
a broadcast of French Radio she even undertook the soprano role in ‘’Pelléas et
Mélisande’’. She was regarded as one of the leading French concert altos of her
generation, above all as a great Bach interpreter. She was on the point of
entering a convent when she suddenly died. In addition to her exquisitely
cultured (above all in the high register) voice, her ingenious art of delivery
as well as her mastery of phrasing were treasured. She represented a voice type
which the French designate 'Galli-Marié' (after the great prima donna,
Célestine Galli-Marié).
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