Born Silvano Proietti, son of sculptor Vincenzo Proietti (1876-1945)
and Agata Monti (1873-1948), he was baptised at S. Giovanni Laterano and
changed his family name into Benedetti in 1928. The reason is still not clear.
There is evidence of public performances already since 1924 in Rome –
under the name Silvano Monti (using the surname of his mother, Agata Monti) or
even Silvio Monti. In an very early review from “Piccolo Giornale d’Italia”, he
appears as “tenore Proietti”.
He took lessons with the famous teacher Giovanni Villa (from Rome).
Between 1928-1930 (at least) he participates to the courses of Gemma
Bellincioni at the “Teatro Sperimentale Internazionale della Giovane Lirica” in
Rome. At some point he had also an interaction with Maestro Giulio Moreschi,
tenor, the adoptive son of castrato Alessandro Moreschi.
He sang mainly romantic opera: roles (or excerpts) from Rigoletto
(Duca), Luisa Miller, Boheme (Rodolfo), Lodoletta (Mascagni), Masnadieri
(Verdi), Lucia di Lammermoor, Faust, Fedora, Gioconda, Traviata (Alfredo),
Turandot (Calaf), Aida (Radames), L’Africana, Fanciulla del West.
His career was interrupted in the middle of the 1930s, when it was at
its most promising point, due to a sudden neurological loss of hearing – which,
seemingly, happened on stage during a
performance of Lucia di Lammermoor. This dramatic event would mark his life
forever.
He was a Cavaliere dell’Ordine della Corona d’Italia. After
participating as a volunteer to the First World War as an aviator, he was later
an ufficiale of Civil Engineering during the Second World War, especially in
Albania. During the escape from Albania, he was a prisoner of the German SS in
the Lager of Semlin (Belgrad) – being able to return to Italy at the beginning
of 1944 hidden in a wagon of cows. By this time his hearing handicap became
worse.
After having to give up the musical career, he worked at the Ministero
dei Lavori Pubblici in Rome until his death, a work that he started already
during his musical career.
He died tragicly in the night between 27th and 28th March 1962.
His grandson Flavio Ferri-Benedetti (born 1983) is a countertenor.
Newspaper excerpts:
“Il tenore Proietti ha esordito con la sua squillante voce dando molto
a sperare nella carriera che gli auguriamo brillantissima” [Piccolo Giornale
d’Italia]
“il tenore Silvano Monti, una vera promessa dell’arte lirica.”
[Piccolo Giornale d’Italia]
“grande promessa per l’arte” [Tribuna]
“gi® tanto applaudito nella Bohçme...” [Messaggero]
“Il giovane tenore romano S. Benedetti... fin dalle prime note, il
Benedetti si impose all’attenzione del pubblico per la sua bella voce maschia,
calda, estesissima, educata ad ottima scuola, per l’accento appassionato e il
fraseggio impeccabile, per la signorilita del tratto e la spigliatezza
dell’azione scenica. I primi consensi si manifestarono alla “gelida manina”
cantata con arte mirabile e, contrariamente all’uso invalso, nel tono voluto
dalla partitura: gli applausi crebbero poi via via, culminando al duetto con
Mimê, al finale del primo atto [...] alla fine del terzo atto e del quarto, il
Benedetti, chiamato dagli scroscianti battimani degli spettatori, dove
presentarsi alla ribalta per ben cinque volte... Successo quindi schietto e
caloroso che rappresenta per questo giovane tenore romano un buon battesimo
d’arte e un ottimo auspicio per il suo avvenire, il quale confermera, senza
dubbio, dinanzi ai migliori e pi÷ vasti pubblici, quel riconoscimento che alle
magnifiche doti vocali e interpretative del Benedetti, ha dato, con vibrante
entusiasmo, Ancona.” [TRIBUNA, Boheme, Ancona Teatro delle Muse, 1930]
I would like to thank Flavio Ferri-Benedetti for the information and
photos.
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