Her real name was Emma Luwaert. She received
her education at the Conservatoire royal de Bruxelles. She made her debut in
1914 at the Théâtre de la Haye in the Hague and
created there for Holland
the roles of Mélisande in ‘’Pelléas et Mélisande’’ (1916), Tatiana in ‘’Eugene
Onegin’’ (1916) and the princess in ‘’Marouf’’ (1917). In 1918 she joined to
the Théâtre de la Monnaie in Brussels , where she
appeared as Constance in the Brussels
première of W. A. Mozart’s "Entführung ais dem Serail". In 1922 she was
engaged by the Opéra-Comique in Paris
and made her debut in ‘’Lakme’’. In the 1923-1924 season she appeared at the Opéra
de Monte-Carlo in the premiere of the opera ‘’La Hulla’’ by M. Samuel-Rousseau
in the role of the Dilara as well as in a new performance of M. Mussorgsky’s ‘’The
Fair at Sorochyntsi’’ in the role of the Parasha (opposite John McCormack). In
1927 she appeared at the Opéra-Comique in the premiere of the opera ‘’Sophie
Arnoult’’ of G. Pierné in the title role. On 15. 1. 1930 she created at the
Opéra-Comique the role of Jeanneton in the premiere of J. Ibert’s ‘’Le roi
d'Yvetot’’, on 5. 12. 1927 she sang at the same opera house in the premiere of
the opera ‘’Le bon Roi Dagobert’’ of M. Samuel-Rousseau. On 16. 1. 1928 she
sang in the premiere of A. Bruneau’s ‘’Angelo, Tyran de Padoue’’, on 17. 12. 1928
in ‘’Riquet à la houppe’’ by G. Hüe. After her retirement she lived as a
singing teacher in Brussels .
Chronology of some appearances
1914-1916 Hague Théâtre de la Haye
1918 Brussels Théâtre de la Monnaie
1922 Paris Opéra-Comique
1923-1924 Monte-Carlo Opéra
1927 Paris Opéra-Comique
1928 Paris Opéra-Comique
1930 Paris Opéra-Comique
RECORDINGS FOR SALE
Pathé, Paris 1924?
Manon (Massenet): Je suis encore tout étourdie 0419
Odeon, Paris
Contes d'Hoffmann (Offenbach): C'est une chanson d'mour PI with Micheletti 188.574 Ki-1610
Contes d'Hoffmann (Offenbach): C'est une chanson d'mour P II with Micheletti 188.574 Ki-1611
Mireille (Gounod): Mon coeur ne peut changer 188. 519 Ki. 1172
Manon (Massenet): J'ai
marqué l'heure du départ (Duo de la rencontre, pt 1) with Friant 123.657 XXP6921
Manon (Massenet): Nous
vivrons à Paris
tous les deux (Duo de la rencontre, pt 2) with Friant 123.657 XXP6922
Manon (Massenet): Ah! Des Grieux (La mort de Manon, pt 1) with Friant 123.658 XXP6923Manon (Massenet): Le ciel lui même te pardonne (La mort de Manon, pt 2) with Friant 123.658 XXP6924
Pathé, Paris 1932?
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