He studied with Törsleff in Leipzig , Eugene Wolff in Frankfurt a. M., Alfieri in Berlin and Felix von Kraus in Munich . He began his stage career during the 1896-97 season at the Municipal Theatre of Cottbus and then sang
successfully (primarily, as an operetta tenor) at the theaters of Wiener
Neustadt (1897-98), Salzburg (1898-99), Innsbruck (1899-1900) and
at the Carl-Schultze's Hamburg Theatre (1900-01). Then he started to
appear only in the opera performances with success and from 1901 to 1903 he sang at
the Municipal Theatre of Mainz , then at the Municipal Theatre of Graz
(1903-06), at the Stadttheater of Wroclaw
(1906-09) and from 1909-12 at the Munich Court Opera. From 1912-20 he belonged
to the ensemble of the Mannheim Court Theatre ,
from 1920-27 he was engaged to sing at the Municipal Theatre of Dortmund.
Since 1905 he appeared in several guest performances at the Court Opera of
Dresden . In
1918 he appeared in Mannheim
in the premiere of Paul von Klenau's opera ''Kjartan und Gudrun'', singing
the part of Haldor. He concentrated chiefly in the dramatic Wagner
repertory: as Erik in ''Fliegenden Holländer'', Tannhäuser, Walther von
Stolzing in ''Meistersingern'', Tristan, but he also appeared as Florestan in
''Fidelio'', Hüon in ''Oberon'' of Weber, Eleazar in ''La
Juive'' of Halévy, Samson in ''Samson et Dalila'' of Saint-Saëns, José in
''Carmen'' and Canio in ''Pagliacci''. In 1908 he made a few records for Gramophone at Breslau.
Chronology of some appearances
1896-1897 Cottbus Municipal Theatre
1897-1898 Wiener Neustadt
1899-1900 Innsbruck Opera House
1900-1901 Hamburg Carl-Schultze's Theatre
1901-1903 Mainz Municipal Theatre
1903-1906 Graz Municipal Theatre
1906-1909 Wroclaw Stadttheater
1909-1912 Munich Court Opera
1912-1920 Mannheim Court Theatre
RECORDINGS FOR SALE
Gramophone, Breslau 1908
Carmen (Bizet): Blumenarie 4-42066 12447u
Carmen (Bizet): Blumenarie 4-42066 12447u
Meistersinger von Nürnberg (Wagner): Am stillen Herd 4-42064
Meistersinger von Nürnberg): Morgenlich leuchtend 4-42065
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