He was born in Jaroslavl in 1872, a town about
170 miles north-east of Moscow.
His father was a sales representative in flour. His son did very well
academically. Interest in music was satisfied by playing the guitar and singing
in a local choir. After leaving school he enrolled in Moscow on a course leading to a degree in
law. He completed the course in 1894, but by this time he made considerable
expererience in a student choir. This included some appearances as its soloist.
Nevertheless, his singing did not prevent his academic abilities. He obtained a
law degree. After university came military service, compulsory at that time in Russia, and
then he began to practice law. He studied with a tenor (Professor Dodonov) but
he felt that this teacher was not suceeding in helping over certain problems. He
took additional lessons from Alexandra Santagano Gorchakova. Sobinov still the
law as his career. His teacher had other ideas and she made him go for an
audition at the Bolshoi Theatre. This was in 1897 and brought him a two year
contract! He soon was admired for his breath control, mezza-voce and
enunciation. He appeared in operas such as Ruslan and Ludmila, Faust, Manon,
Prince Igor, Eugene Onegin, Halka, Rigoletto, Tannhäuser (Walter von der
Vogelweide) and in Ivanov’s Zabava Putyatishna. Sobinov was very much impressed
by Feodor Chaliapin who was two years younger than him. They sang together in
an opera in 1899. In the same year he added Andrej (Mazeppa), Gérald (Lakmé)
and Germont to his repertoire. After going through the score of Don José he
declined taxing the role too dramatic for his voice. The reigning star at the
Bolshoi was Nikolai Figner but Sobinov was his equal in every way. To enlarge
his repertoire (he added the tenor roles in Martha, Werther, Mignon and Roméo
et Juliette) he decided to make several journeys to Italy to hear more of the Italian
school. At the end of 1903 he sang an acclaimed Nadir in Les Pêcheurs des
Perles opposite the great Antonina Nezhdanova . In 1904 he made his debut at La
Scala as Ernesto (in Italian) receiving great praise from the critics. After a
short time as a reservist in the army (Russian-Japanese war in 1905) he first
appeared in Manon and Fra Diavolo. At the end of 1906 he sang in Monte Carlo. Lohengrin
and Werther were the next roles. He appeared with triumphant success in Madrid and Berlin.
His first Lohengrin at the Bolshoi was enthusiastically received, while in St Petersburg the critics
compared him to the superb Ivan Ershov. Singing in London
and Paris in
1909 he added Levko in Rimsky-Korsakov’s May Night and changed the role of
Bayan to Finn in Ruslan and Ludmila. After many years of travelling he became a
producer (1911). In 1912 he once more appeared at la Scala opposite Lucrezia
Bori in Roméo et Juliette, conducted by Tullio Serafin. In the months before
the outbreak of Worldwar I Sobinov appeared in a new role, Cavaradossi. Conscripted
for military service again in 1914 his contract with the Imperial Opera lapsed.
He was charged with organizing concerts for the wounded and for charity. The
Revolution gave him a second chance of moving into management. Unlike other
Russian artists like Chaliapin, Kuznetsova, Medtner, Rachmaninov and Davidov he
elected to stay. When the Red Army gained control, he was given an administrative
cultural post in Sevastopol.
His last appearance in a concert was in 1921. In the same year he was appointed
Director of the Bolshoi but after a view months he resigned to return to a life
of opera and concerts. He died of a heart attack in 1934. He was decorated many
times: Imperial Court Singer (1910), People’s Artist of the Union of Soviet
Republics (1923), Officer of the Red Army (1925) and the Red Labour Banner
(1933).
http://theclassicalshop.net/
Chronology of some appearances
Demon (Sinodal)-Moscow, Bolshoi, 24 April 1897
Ruslan and Ludmila (Bayan)-Moscow, Bolshoi, 4 September 1897
Prince Igor (Vladimir)
-Moscow,
Bolshoi, 19 January 1898
Yevgeny Onyegin-Moscow, Bolshoi, 13 April 1898
Faust-Moscow, Bolshoi, 16 April 1898
Tannhäuser (Walter) -Moscow, Bolshoi, 4 September 1898
Halka (Yontek)-Moscow,
Novi Teatr, 6 September 1898
Pyesn Torzhetvuyuschey Lyubvi (Fabiy)-Moscow, Bolshoi, 26
October 1898
Rigoletto-Moscow, Novi
Teatr, 8 November 1898
Zabava Putyatishna (Solovyey)-Moscow,
Novi Teatr, 3 January 1899
Ribaki (Yannik) -Moscow, Bolshoi, 23 February 1899
Rusalka (Prince)-Odessa, Gorodskoy Teatr, 7 June 1899
Mazepa (Andrey)-Moscow, Bolshoi, 9 September 1899
Lakmé-Moscow, Bolshoi, 9 November 1899
La Traviata-Moscow, Novi
Teatr, 14 November 1899
Le Cheval de Bronze (Yang)-Moscow, Novi Teatr, 30 January 1900
Yudif (Judith) (Vagoa)-Moscow, Bolshoi, 10 February 1900
Printsyessa Gryeza (Ruydel)-Moscow,
Novi Teatr, 1 October 1900
Snegurochka (Berende) -Moscow, Bolshoi, 19 December 1900
Andzhelo (Angelo) (Gondolyer) -Moscow, Bolshoi, 4 January 1901
Boris Godunov (Dimitri) -Moscow, Bolshoi, 13 April 1901
Sin Mandarina (The Mandarin’s son) (Muri)-Moscow, Novi Teatr, 11
November 1901
Roméo et
Juliette-Moscow, Bolshoi, 25 October 1902
Mefistofele-Moscow, Bolshoi, 3 December 1902
Mignon-Moscow, Conservatoire, 19 March 1903
Les Pêcheurs de Perles-Moscow, Novi Teatr, 3
December 1903
Marta-Moscow, Conservatoire, 16 February 1904
Werther-Moscow, Conservatoire, 12 March 1904
Don Pasquale-Milano, Scala, 21 (western
calendar) December 1904
Fra Diavolo-St. Petersburg,
Novi Letny Teatr, 13 November 1905
Manon-Milano, Scala, 11 (western calendar)April
1906
Lohengrin-Moscow, Bolshoi, 10 December 1908
Mayskaya Noch (Levko) -Moscow, Bolshoi, 6 October 1909
Ruslan and Ludmila (Finn) -Moscow, Bolshoi, 18 November 1909
Kavkazskiy Plennik (The Captive in the
Caucasus) (Plennik/Captive) -Moscow,
Bolshoi, 16 December 1909
La Bohème-Moscow, Bolshoi, 19 January 1911
Orfeo ed Euridice-St. Petersburg, Maryinski, 21
December 1911
Dubrovsky (Vladimir) -Moscow, Bolshoi, 27 November 1913
Tosca-St. Petersburg,
Teatr A. S. Suvorina, 24 February 1914
G&T, St. Petersburg
1901 (early)
Rusalka (Dargomizhsky): Unwillingly
to these sad shores 22259 2655A
Angelo
(Cui): I live only for you (Song of Rodolfo) 22260 2656A
Prince Igor
(Borodin): Daylight slowly fades 22333 2660A
May Night
(Rimsky-Korsakov): Sleep my beauty 22524 269b
Halka (Moniuszko):
The wind howls among the hills 22276 2663A
Eugen
Onegin (Tchaikovsky): Whither, whither have you gone 22274 2664A
Eugen
Onegin (Tchaikovsky): I love you Olga 22262 2668A
G&T, St. Petersburg 1901-06?
Rusalka (Dargomizhsky):
Unwillingly to these sad shores 22519
263b
Rigoletto
(Verdi): La donna è mobile 22495 266b
Dobrinya Nikitich(Gretchaninov): Blossoming
in flowery fields 22532 268b
Eugen
Onegin (Tchaikovsky): Whither, whither have you gone 22523 270b
Behind the
window in the shadow (Tchaikovsky); I do not know how to dispel my melancholy
(Nikolaev) 22533 271b
Ou
voulez-vous aller.(Barcarolle) (Gounod) 22528 272b
Zabava
Putiatishna (Ivanov): All quietly in your garden 22502 273b
Snow Maiden
(Rimsky-Korsakov): Mighty nature is full of wonders 22500 274b
G&T, St. Petersburg
1904
Martha
(Flotow): Ach so fromm 2-22650 1976L
Resting
here is pleasant (Nikolaev) 2-22658 1994L
Faust (Gounod): Salut demeure 022078 195m
Gramophone, Moscow 1910-01-23/02-05
Lohengrin (Wagner): Mein lieber Schwan 022137 1979c
Werther (Massenet): Pourquoi me réveiller 022138 1980c
Manon (Massenet): En fermant les yeux 022139 1981c
Pêcheurs de perles (Bizet): Je crois entendre encore Unpubl. 1982c
Gramophone, St. Petersburg 1911-02-14/02-27
Mignon
(Thomas): Elle ne croyait pas 022198 2214c
Snow Maiden
(Rimsky-Korsakov): The joyous day departs 022199 2216c
Raphael
(Arensky): My heart trembles 022200 2217c
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